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Copley Square

The Captain and Ann Barbara

Copley Square is the monumental civic heart of Boston where Mary Antin, a young immigrant from Polotzk, discovers the Boston Public Library and experiences the transformative power of American public institutions. The square functions as the symbolic center of her Americanization, a place where she claims citizenship and intellectual belonging despite living in the slums of Dover Street.

The Square as Civic Palace

Copley Square is described as a spacious triangle, harmoniously disposed around a low, wide-spreading building with a dignified granite front, flanked on all sides by noble old churches, museums, and school-houses. Two thoroughfares that came straight from the green suburbs swept by the palace, one on either side, converged at the apex of the triangle, and pointed off, past the Public Garden, across the historic Common, to the domed State House sitting on a height. For Mary, this was her palace, a term she repeats with possessive insistence: "Mine, because I was a citizen; mine, though I was born an alien; mine, though I lived on Dover Street." The square's architectural grandeur stands in stark contrast to the cramped tenements of her daily life, yet she claims it fully as her own.

The Library as Sanctuary

The Boston Public Library, the building at the square's heart, became Mary's daily refuge. It was her habit to go very slowly up the low, broad steps to the palace entrance, pleasing her eyes with the majestic lines of the building, and lingering to read again the carved inscriptions: "Public Library—Built by the People—Free to All." She loved to lean against a pillar in the entrance hall, watching the people go in and out. Groups of children hushed their chatter at the entrance, and skipped, whispering and giggling in their fists, up the grand stairway, patting the great stone lions at the top, with an eye on the aged policemen down below. Spectacled scholars came slowly down the stairs, loaded with books, heedless of the lofty arches that echoed their steps. Visitors from out of town lingered long in the entrance hall, studying the inscriptions and symbols on the marble floor. Mary stood in the midst of all this, reminding herself that she was there, that she had a right to be there, that she was at home there. All these eager children, all these fine-browed women, all these scholars going home to write learned books—she and they had this glorious thing in common, this noble treasure house of learning. It was wonderful to say, "This is mine"; it was thrilling to say, "This is ours."

The Square as Stage for Transformation

The square also served as the stage for Mary's encounters with the great men of Boston. After her first meeting with Edward Everett Hale, she moved against a background of grandeur for the rest of the day. There was a noble ring to Virgil that day that even her teacher's firm translation had never brought out before. Obscure points in the history lesson were clear to her alone, of the thirty girls in the class. And it happened that the tulips in Copley Square opened that day, and shone in the sun like lighted lamps. The square's beauty seemed to mirror and amplify her own intellectual awakening, making the abstract ideals of citizenship and learning tangible and radiant.

The Square as Contrast to the Slums

The significance of Copley Square is sharpened by its contrast with the places Mary actually lived. Her home on Dover Street consisted of five small rooms up two flights of stairs, with the right of way through the dark corridors. In the "parlor" the dingy paper hung in rags and the plaster fell in chunks. One of the bedrooms was absolutely dark and air-tight. The kitchen windows looked out on a dirty court, at the back of which was the rear tenement of the estate. This was the nook where her bed was made, but she inhabited the City of Boston. From the roof of the tenement house, she was empress of all she surveyed, and off towards the northwest, in the direction of Harvard Bridge, which some day she should cross on her way to Radcliffe College, was one of her favorite palaces, whither she resorted every day after school. The square, with its public library, was not merely an escape from the slums but the very proof that she belonged to something larger than them.

The Square as Symbol of American Promise

Copley Square embodies the promise of American democracy that Mary so fervently embraced. The carved inscriptions on the library—"Built by the People—Free to All"—are the literal articulation of this promise, a promise that extends even to a young immigrant girl from the Pale of Settlement. The square's location, with its thoroughfares pointing past the Public Garden and the historic Common to the domed State House, connects it to the entire civic landscape of Boston, from its revolutionary history to its institutions of learning and governance. For Mary, the square was not just a place but a declaration: that she, a former alien, was now a citizen with full rights to the treasures of her adopted city. The memory of her experience on Dover Street became the strength of her convictions, the illumined index of her purpose, the aureola of her happiness, and Copley Square was the radiant center of that memory.

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