The Father’s Two Worlds
The Character of RainThis flow follows how the Narrator (God) tries to decipher Father’s work, cultural life, and moments of absence.
increasing
Bearing strength in each event
decreasing
A Job Called Consul

A Job Called Consul
An unexplained occupation
The child asks Mother what Father does and receives the answer that he is a consul. The word offers no usable picture of the father’s day.
A mystery retained
When Father postpones explaining the job until the child is older, the Narrator (God) assumes he is hiding something unpleasant. The gap in knowledge fuels imaginative interpretation.
The Foreign Student

The Foreign Student
Encounter with Noh
Father arrives in Osaka as a diplomat and becomes captivated by Japan. An interpreter introduces him to Noh, whose unfamiliar singing first unsettles him.
Politeness becomes commitment
After the interpreter transforms his harmless comments into an eloquent assessment, a master invites Father to train. Father’s diplomatic courtesy becomes years of demanding lessons.
The Singer with Blue Eyes

The Singer with Blue Eyes
Training in an art
Father practices Noh singing at dawn and later begins dance lessons. The teacher discovers that the student cannot produce graceful movement and excuses him from dancing.
A new identity
Father becomes known in Japan as the Singer of Noh with Blue Eyes. The transformation shows the private devotion that the child’s simple question about his job cannot capture.
A Child in the Audience

A Child in the Audience
Pride and alarm
The Narrator (God) watches Father enter in costume, then recoils at the strange singing. The performance sounds frightening rather than beautiful to a young Western listener.
A misunderstood profession
The child asks whether singing is what a consul does. Father’s performance makes the mystery of his work more vivid without resolving it.
The Storm Drain Incident

The Storm Drain Incident
Father disappears
During a walk through flooded streets, Father falls into an open drain while holding the child’s hand. The Narrator (God) hears his voice but cannot initially see him.
Work imagined anew
The child concludes that Father spends his days in sewers and forgets to deliver the message promptly. After the rescue, that theory collapses, but the meaning of consul remains unsettled.
At age two, before the Noh performance
From 1967, recalled in adulthood
During Father's Osaka posting
June, during an outdoor performance
During Japan's rainy season