The Family’s Diplomatic Future
The Character of RainThis flow traces Father’s diplomatic posting as a source of both the family’s Japanese life and its eventual displacement.
increasing
Bearing strength in each event
decreasing
Arrival in Osaka

Arrival in Osaka
A posting abroad
Father leaves Belgium for a diplomatic assignment in Osaka. Japan quickly becomes the country he loves most.
A family in transition
The posting places the family in a culture that will shape the Narrator (God)'s first memories. The parents’ work creates the home the child later fears losing.
Life in Shukugawa

Life in Shukugawa
A settled household
The family lives in a house in Shukugawa, surrounded by a garden and mountain landscape. Daily life includes Japanese customs, local nannies, and the children’s school lives.
Belonging grows
The setting becomes the Narrator (God)'s emotional homeland. A diplomatic assignment has created a childhood world that feels permanent to the child.
Father’s Noh Apprenticeship

Father’s Noh Apprenticeship
A demanding commitment
Father trains with a master every morning, balancing a diplomatic career with the discipline of traditional performance. The choice grows from courtesy but becomes an enduring devotion.
A divided public identity
To the Narrator (God), Father’s job remains mysterious and his artistic life initially sounds alarming. Father’s Japan contains dimensions that the child can only partly understand.
A Posting Must End

A Posting Must End
The parents’ constraint
Mother explains that Father’s career requires the family to leave Japan eventually. The child argues that Belgium is too far away to punish him if he refuses.
Duty against desire
Diplomatic service gives Father a professional obligation that outweighs the child’s wish to stay. The family’s next destination is unknown, making the threat especially difficult to grasp.
The Departure Deferred

The Departure Deferred
A temporary reprieve
Father says the family will remain in Japan for two or three more years. To the child, this is both comforting and unbearable, because the eventual departure remains certain.
A permanent wound begins
The delay does not restore the earlier sense of safety. The Narrator (God) starts to experience every additional year as precious time that will be taken back.
1967, before the Narrator (God)'s birth
By February 1970
During the Osaka assignment
At age three
After the first argument about leaving