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Lombard region

The Decameron

The Lombard region appears as the setting of a convent story in which a house renowned for sanctity becomes the scene of secret desire, surveillance, and an exposure that turns its moral authority against itself. Its role is local rather than panoramic: the account identifies the region as the place of the convent, then makes that institution’s reputation and inhabitants central to the episode.

Setting and Reputation

The story begins in Lombardy, in a convent described as very famous for sanctity and religion. This reputation sets the standard against which the events are measured: the place is introduced as an institution of devotion, but its enclosure cannot keep desire—or misconduct—outside its walls.

The Convent and Isabetta

Among the nuns is Isabetta, a young woman of noble birth and remarkable beauty. She falls in love with a handsome young man who accompanies a kinsman when he visits the convent grate; he returns her love. After a long period of frustrated affection, the two find a way to meet in secret, and he visits her repeatedly, to the satisfaction of both.

Watchers and Exposure

Their secrecy fails when one of the nuns sees the young man taking leave of Isabetta at night. She tells several others. At first, they consider denouncing Isabetta to the abbess, Madam Usimbalda, who is regarded by the nuns and other people who know her as good and pious. Instead, they decide to arrange for the abbess to catch the pair together, and keep watch in turns. When Isabetta’s lover comes again, the watchers divide: some guard the cell door while others hurry to summon the abbess.

Reputation and Reversal

The intended exposure rebounds on the convent’s authority. The abbess herself is spending the night with a priest. Roused in haste and dressing in the dark, she mistakes his breeches for her head covering; Isabetta notices and points out the error. The story’s account concludes that Isabetta is acquitted and allowed time with her lover. Thus the Lombard convent’s famed sanctity remains the stated backdrop, but the plot makes its claim to discipline others precarious: the person summoned to judge the nun is caught in a compromising situation of her own.