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Messer Betto Brunelleschi

The Decameron

Messer Betto Brunelleschi is the leader of a Florentine company whose attempt to draw Guido Cavalcanti into its fellowship ends in a public exchange of wit. The episode makes Betto’s importance less a matter of rank than of perception: while his companions mistake Guido’s reply for nonsense, Betto understands its sharp social meaning and persuades them to leave Guido alone.

Identity and Social Setting

Messer Betto belongs to a company formed by gentlemen of Florence. Such companies gathered in different parts of the city, took turns holding open-house banquets for their members, and sometimes entertained visiting gentlemen. On notable holidays, they might dress alike and ride in procession; they also held contests of arms, especially on important feast days or after news of victory. Betto’s company is one instance of this civic social life, and its members’ repeated effort to recruit Guido gives the episode its immediate setting.

The company wants Guido not simply for his learning. He is described as an outstanding logician and natural philosopher, but the gentlemen are said to care little for those accomplishments. They value instead his lively manner, good breeding, eloquence, ability to conduct himself as a gentleman, and skill in entertaining those he considers worthy of honor. His wealth also makes him a desirable host. Betto and his companions have not managed to win him over, and they explain his distance by supposing that abstract speculation sometimes draws him away from other people.

The Encounter at the Tombs

One day, Guido walks from Orto San Michele along the Corso degli Ademari toward San Giovanni. Near the church, among marble tombs standing between porphyry columns and the closed church door, he is spotted by Betto and his companions as they ride across the Piazza di Santa Reparata. Betto proposes that they go and plague him. They spur their horses toward Guido, catch him before he is aware of their approach, and taunt him for refusing to join their company. Their challenge invokes the popular rumor that his philosophical speculations seek to discover whether God exists.

Surrounded by the horsemen, Guido answers, “Gentlemen, you may say what you will to me in your own house.” He then places a hand on one of the great tombs, vaults over it with a nimble spring, and escapes. His physical leap completes the verbal maneuver: rather than argue on the terms his tormentors have set, he leaves them with a sentence whose meaning they have not yet grasped.

Betto’s Interpretation and Reputation

The gentlemen initially call Guido a crack-brain and dismiss his answer as pointless. They reason that the tombs are no more their house than anyone else’s, and that Guido is no less entitled to be there than they are. Betto rejects their literal reading. The tombs, he explains, are houses of the dead, who lie and remain within them. By calling them the company’s house, Guido has implied that foolish and unlearned men, compared with himself and other learned people, are like the dead. Betto thus recognizes that the reply is not an empty evasion but a compact rebuke aimed at the riders’ intellectual pretensions.

Once Betto has made the allusion clear, the companions understand and feel abashed. They no longer plague Guido, while their estimate of Betto changes: they regard him as a gentleman of subtle wit and understanding. The ending gives Betto a distinct narrative role. He is at first the instigator of the harassment, but he becomes the person who can read the answer that defeats it. His interpretive insight both ends the company’s pursuit of Guido and wins Betto recognition from his own companions.