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Tedaldo Reconciles Aldobrandino with His Brothers and Reveals His Identity

The Decameron

Tedaldo Reconciles Aldobrandino with His Brothers and Reveals His Identity is a carefully staged return from presumed death that joins private recognition to public repair. Tedaldo does more than save Aldobrandino Palermini from danger: acting in a pilgrim’s disguise, he brings Aldobrandino and his estranged brothers back into friendship, then reveals himself at a banquet whose quiet beginning gives way to familial joy. A later encounter establishes that the man believed to be Tedaldo had in fact been Faziuolo, resolving the uncertainty that lingered even after Tedaldo’s return.

From rescue to reconciliation

Aldobrandino, now free and aware that he owed his deliverance to the pilgrim, welcomed him into his house for as long as he wished to stay. The household honored its guest, especially Madam Ermellina, who knew the pilgrim’s true identity. Tedaldo, however, saw that another task remained: Aldobrandino’s brothers were ashamed by Aldobrandino’s acquittal and went about armed, fearing his resentment. Their danger was not only renewed violence but the lasting division of the family.

Tedaldo asked Aldobrandino to fulfill the promise he had made. Aldobrandino willingly agreed, and Tedaldo proposed a banquet for the following day, at which Aldobrandino and his relatives would receive the four brothers and their wives. Tedaldo would approach the brothers himself and invite them to make peace. The plan depended on more than hospitality: it gave the brothers a way to return in public, acknowledge their wrong, and seek forgiveness without leaving the injury unaddressed.

Tedaldo went to the brothers and argued with them until they agreed to recover Aldobrandino’s friendship by asking his pardon. They trusted his good faith and accepted the invitation. His intervention thus converted a tense situation—armed men wary of retaliation—into a carefully arranged meeting between people who had reason to fear one another.

The banquet and the pilgrim’s disclosure

The next day, around dinner-time, Tedaldo’s four brothers arrived at Aldobrandino’s house dressed in black and accompanied by friends. In front of the assembled guests, they laid down their arms, placed themselves at Aldobrandino’s mercy, and asked forgiveness for what they had done to him. Aldobrandino received them weeping, kissed each brother on the mouth, and, in a few words, forgave every injury. Their wives and sisters followed in somber clothing and were graciously welcomed by Madam Ermellina and the other women.

The company was magnificently entertained, but the fresh grief signified by Tedaldo’s family’s mourning clothes held the gathering in silence. Some guests had criticized Tedaldo’s choice of a banquet under such circumstances, and he had noticed their unease. While the guests were still eating fruit, he stood and observed that one thing was missing from an otherwise joyful feast: Tedaldo himself. He then removed his pilgrim’s gown and the rest of his disguise, remaining in a jerkin of green sendal.

For a moment, the guests stared and hesitated to believe what they saw. Tedaldo recounted particular details of their relationships and what had happened to him; his brothers and the other men then ran to embrace him, their eyes full of joyful tears. The women, both relatives and guests, embraced him too. His disclosure transformed the meaning of the banquet: the man who had arranged reconciliation as an apparently helpful stranger was the family member whose presumed death had occasioned their mourning.

Ermellina, Aldobrandino, and the family’s return to trust

Madam Ermellina alone did not immediately join the women in welcoming Tedaldo. Aldobrandino noticed and asked why she held back. She answered that no woman would have welcomed Tedaldo more gladly, since she was more indebted to him than anyone else for restoring her husband to her; but words spoken during the mourning, when the household believed Tedaldo dead, had made her refrain. The exchange exposed an awkward residue of suspicion without turning it into a new accusation.

Aldobrandino dismissed the slanderers’ talk and pointed to the pilgrim’s actions as evidence against it: Tedaldo had secured his release, and Aldobrandino said he had never believed the gossip. He urged Ermellina to rise and embrace Tedaldo. She gladly did so, joining the welcome already given by the others. Aldobrandino’s public confidence removed the barrier between them, while Tedaldo’s successful rescue had already furnished a reason for the family to trust him.

The reconciliation became visible in the guests’ clothing and conduct. Tedaldo tore the black garments from his brothers and the somber garments from his sisters and other female relatives, and had them send for fresh clothes. Once they had changed, the company turned to singing and dancing. The feast that began in silence ended in noisy celebration; afterward, everyone went with Tedaldo to his house for supper, and the festivities continued for several days. The change from mourning dress to new clothing gives physical form to a return from bereavement and estrangement to shared life.

The mistaken death resolved

The public disclosure did not immediately settle every doubt. For a time, people in Florence regarded Tedaldo with astonishment, as though a dead man had risen. Even some of his brothers remained uncertain whether the returned man was truly Tedaldo. The account leaves that doubt in place until an accidental meeting supplies identifying evidence.

One day, foot soldiers from Lunigiana passed the family’s house. Seeing Tedaldo, they addressed him as Faziuolo. Tedaldo answered that they had mistaken him for someone else. The soldiers explained that their companion Faziuolo of Pontremoli, a soldier who resembled Tedaldo, had come to Florence more than a fortnight earlier and had since disappeared. They had also wondered at Tedaldo’s clothing because their missing comrade had been a soldier. Tedaldo’s elder brother asked what Faziuolo had worn; the soldiers’ description matched the clothing of the man who had been killed.

That comparison established that the murdered man was Faziuolo, not Tedaldo, and finally dispelled the family’s doubts about Tedaldo’s identity. The recognition completes the action that the banquet began: first Tedaldo makes himself known to his relatives, then chance confirms that the identity they have accepted is not mistaken. Returned very rich, he continued his love for Madam Ermellina, and she no longer quarreled with him; they discreetly enjoyed their relationship for a long time. His return therefore restores not only his place among his brothers but also the private bond that had survived his presumed death.