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Teodoro and Violante's Love and Marriage

The Decameron

Teodoro and Violante’s relationship turns on the difference between what others believe them to be and what they are: a nobleman’s daughter and a trusted household servant, an apparent foreign slave and a freeborn Armenian, secret lovers and, finally, acknowledged spouses. Their private love brings them close to death, but Teodoro’s recovered identity changes the outcome, allowing the couple to marry with both families’ consent and to establish a peaceful life together.

Identity and Unequal Position

Teodoro enters the household of Messer Amerigo Abate as a boy captured by Genoese corsairs during their raids near the coast of Armenia. Messer Amerigo buys him among other boys, supposing him to be Turkish. Although initially treated as a slave, Teodoro is brought up alongside Messer Amerigo’s children. His conduct and abilities distinguish him from the circumstances of his capture: Messer Amerigo frees him, has him baptized, gives him the name Pietro, and entrusts him with the management of his affairs. The new name and trusted position do not erase the hidden fact of his birth, which will later determine whether he can survive his relationship with Violante.

Violante grows up in the same household as the children around her, but her place within it is different: she is Messer Amerigo’s daughter, fair and carefully regarded, and her father has delayed arranging her marriage. She comes to admire Pietro’s manners and falls in love with him, while he becomes so deeply attached to her that he finds ease only in seeing her. The relationship therefore develops across a real difference in household status, even though the two young people’s feelings are mutual. Both are initially too afraid to declare them.

Love, Secrecy, and Pregnancy

An accidental storm gives the lovers the opportunity they have been unable to make for themselves. While Violante and Pietro are returning from Messer Amerigo’s country estate with her mother and other women, they move ahead of the party. A sudden hailstorm forces Violante’s mother and her companions to take shelter at a husbandman’s house, while Pietro and Violante find only a small, nearly ruined hut. Its remaining roof is too scant to shelter them without bringing them close together. Their conversation gives way to touching, embraces, and kisses; before the storm passes, they have become lovers.

Afterward, they arrange further meetings in secret at the same place. The secrecy becomes harder to maintain when Violante becomes pregnant. She tries unsuccessfully to conceal the change in her body and, later, to end the pregnancy. Pietro fears that discovery will cost him his life; Violante, unwilling to lose him, tells him that she will kill herself if he leaves. His fear is rooted in the difference between their positions: he expects her pregnancy to be forgiven more readily than his own part in it. Their attachment thus persists even as the danger threatens to divide them.

When Violante can conceal her pregnancy no longer, she confides in her mother and invents an account intended to protect Pietro. Her mother believes her and sends her to a country house to hide the matter. But Messer Amerigo arrives unexpectedly while Violante is giving birth to a son. He refuses to accept that she does not know who fathered the child and threatens her with death unless she identifies him. Violante breaks her promise to Pietro and tells her father the truth.

Condemnation and Recognition

Messer Amerigo has Pietro seized and tortured; Pietro confesses. The captain condemns him to be flogged through the city and then hanged. Messer Amerigo’s anger goes further: believing that both the lovers and their child should die, he sends Violante a dagger and poison and orders that the baby be killed. At this point the relationship appears to have brought not merely disgrace but an imminent execution and the destruction of their family.

The outcome changes as Pietro is being led away under guard and scourged. Fineo, a visitor from Armenia, notices him and recalls a son abducted by corsairs fifteen years earlier. He calls out the name Teodoro and tests the recognition in Armenian. Pietro answers that he was born in Armenia and was the son of Fineo. Fineo then knows that the condemned man is his lost child. He embraces him before the guards and covers his shoulders with a rich silk mantle, a public gesture that visibly replaces the condemned prisoner’s status with the standing of a free man and a recognized son.

Fineo appeals to the captain to delay the execution, explaining that Teodoro is freeborn and his son, and that he is ready to marry Violante. The captain orders him returned home and informs Messer Amerigo. Believing his daughter and grandson already dead, Messer Amerigo regrets his actions and sends a messenger to stop the order against Violante. The servant has already placed the poison and dagger before her and is pressuring her to choose a death; the new command arrives before he can force her to act.

Marriage and Shared Life

Messer Amerigo asks Fineo’s pardon and says he is willing for Teodoro to marry Violante. Fineo accepts the apology, but makes the marriage depend on Teodoro’s willingness: if his son will not take Violante as his wife, Fineo says, the sentence against him may proceed. The lovers are then asked separately. Teodoro, newly reunited with his father and told that he may marry Violante, welcomes the prospect; Violante, still expecting death, says that she could wish for nothing greater than to be Teodoro’s wife, while submitting to her father’s command.

With all parties in agreement, the two are married with great public celebration. Violante raises their son, and Fineo receives her as his daughter-in-law. After some days, Fineo takes Teodoro, Violante, and their child by ship to Lazistan. There the lovers live in peace and happiness for the rest of their lives. The ending makes their marriage more than a private continuation of the affair: it follows the recovery of Teodoro’s freedom and family identity, the survival of their child, and the consent that had been denied them while the relationship remained concealed.

Narrative Role and Significance

Lauretta tells the episode as a love story in which private attachment is repeatedly tested by household authority, uncertain status, and the threat of public punishment. Secrecy allows the relationship to begin, but it cannot protect the lovers once Violante’s pregnancy makes their intimacy visible. The decisive reversal comes not from concealment or escape, but from a recovered identity: Fineo’s recognition transforms Teodoro from a condemned supposed slave into a free son whose marriage can be negotiated openly.

The account distinguishes their mutual desire from the formal recognition that follows it. Their love is established in the hut and sustained through secret meetings; marriage comes only after Teodoro is identified, Messer Amerigo withdraws his lethal opposition, and both lovers affirm their willingness. The tale closes by carrying the couple away from the household and city where their relationship became a crisis, and into a shared life in Lazistan.