Emma Russell’s care for her granddaughter Lenora
The Devil All the TimeEmma Russell’s care for her granddaughter Lenora Laferty turns family catastrophe into an enduring responsibility. From Lenora’s infancy, Emma provides a home amid uncertainty about her parents; as Lenora grows, she protects the girl’s freedom of conscience while accommodating a faith shaped by grief, memory, and hope.
A family responsibility begins
Before Lenora’s birth, Emma hears Helen Laferty announce that Roy Laferty has asked her to marry him, saying that he took a sign from God as evidence that they belonged together. Emma is holding a letter from Willard Russell and thinking about a promise she had been unable to keep. She had feared that terrible news would follow, but Helen’s announcement initially seems like cause for relief. Emma’s first practical concern is where the couple will live. Helen says Roy has a place behind a gas station in Topperville and that Theodore Daniels will stay with them for a while. Emma recognizes Theodore as the man in the wheelchair and learns from Helen that the two men have been together for a long time.
That hopeful picture gives way to a family crisis. After Helen’s death, Roy asks Theodore what will happen to Lenora. Theodore argues that the infant will be better off with the old woman—Emma—than growing up on the run from the law. The conversation makes Emma’s home the proposed refuge for the child, even as the adults responsible for her are disappearing into the consequences of violence and flight. Lenora’s care is thus not a settled arrangement made under ordinary circumstances, but a responsibility formed while the family’s future is collapsing.
An infant in Emma’s care
That night, Emma is rocking the sleeping infant by a window as a storm begins to ease. Helen had said she and Roy would be away only a couple of hours, and she had left just one bottle of milk. Emma worries that something is wrong and wishes she had a telephone. The small, practical details give her fear its immediate shape: the child needs feeding, Helen has not returned, and Emma cannot easily find out why. Earskell Russell looks down at the baby and observes her resemblance to her mother, connecting the living child in Emma’s arms with the daughter whose absence is already being felt.
The uncertainty persists. Some time later, after Helen’s remains are found in the woods near Coal Creek, the sheriff continues to regard Roy and Theodore as suspects, though neither man has been found. Emma, meanwhile, believes they are alive and guilty, and will not feel at ease until they are caught or dead. Her concern for Lenora does not depend on resolving that uncertainty: she tells Willard that she is raising the girl as best she can. Willard sends her one hundred dollars toward a proper burial for Helen. The money addresses one concrete need, while Emma’s continuing care addresses another—the child who remains in her household after her mother’s death and her father’s disappearance.
Care without religious pressure
After Willard’s suicide, Arvin Eugene Russell is sent to live with Emma, joining Lenora in her household. Emma takes both children to church every Sunday, but she does not make Arvin pray, sing, or kneel at the altar. Having learned from welfare workers about the terrible summer he endured while Charlotte Russell was dying, she decides not to demand more than attendance. She also speaks with Reverend Albert Sykes, whose efforts to bring newcomers into the church can be zealous, and asks him not to pester her grandson. Her approach establishes a distinction between providing a religious setting and requiring a child to profess belief on an adult’s timetable.
Lenora’s response to religion is markedly different. She carries a Bible everywhere, rises before the others to pray for an hour beside her and Emma’s bed, and directs prayers she lets Emma hear toward her murdered mother’s soul. Emma has repeatedly advised her to forget Roy Laferty, but Lenora continues to wonder about her missing father. At night she imagines him returning in a new black suit and making everything right; that hope gives her comfort, and she allows herself to believe he may return if he is alive. Emma does not erase the loss or the longing. Her care encompasses a child whose inner life is organized around religious devotion and the possibility of family reunion, even when Emma herself urges her to loosen her attachment to Roy.
Memory, mourning, and the household
Lenora’s attachment to her mother also finds a regular expression in visits to the cemetery. Several times a week, regardless of the weather, she sits beside Helen Laferty’s grave and reads aloud from the Bible, especially the Psalms. Emma has told her that the Psalms were Helen’s favorite part of Scripture. By the end of sixth grade, Lenora knows them all by heart. Emma’s recollection of Helen therefore becomes part of the bond she helps Lenora maintain: the child’s reading joins a grandmother’s knowledge of her daughter to a granddaughter who has no memory of either parent.
Emma’s guardianship is neither a cure for Lenora’s bereavement nor a substitute for the parents she has lost or cannot find. It gives her continuity: a home, ordinary care, access to church without the same demands being imposed on every child, and room to keep the practices and hopes through which she remembers her mother and imagines her father’s return. In this way, Emma’s relationship with Lenora is defined not by a single rescue but by sustained attention to the girl’s needs and to the different ways she lives with absence.