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Megan Hipwell's pregnancy in 2013

The Girl on the Train

Megan Hipwell’s pregnancy in 2013 is disclosed to Rachel Watson by Scott Hipwell, who has learned of it from Detective Sergeant Riley. The news gives Scott a long-imagined prospect of fatherhood only after Megan’s death, and makes paternity an unresolved question with possible consequences for the murder investigation. The scene holds private grief against public speculation: the pregnancy is treated as sensitive information, while a separate story about Megan and a child’s death has already reached the newspapers.

The News and Scott’s Loss

Scott tells Rachel that Detective Sergeant Riley informed him that Megan was pregnant. His response reveals how deeply the possibility of a child had mattered to him: he describes having longed for the news and daydreamed about meeting the child. The revelation arrives not as shared anticipation but as knowledge from which any future has already been removed.

Rachel becomes caught up in Scott’s grief. She cries for an unborn child she never knew, while struggling to comprehend how Scott can endure the loss. The account emphasizes the distance between ordinary life outside and the private catastrophe in the room. When footsteps announce Cathy’s return, Rachel takes Scott’s hand; the small gesture marks her effort to reach him when words and explanations are unavailable.

Pregnancy and Public Speculation

The pregnancy is disclosed amid news coverage alleging that Megan had been involved in the death of a child. Rachel regards the tabloid story as speculative and degrading to a dead woman, and initially insists that it cannot be true. Scott explains that police had questioned him about whether he knew Megan had had a child before, what had happened, and who the father was. He had denied knowing of any pregnancy and dismissed the claims as false.

Scott suspects that Kamal Abdic supplied the information to the press, although he has no confirmed explanation for its appearance. The passage keeps that suspicion distinct from established fact: Scott assumes a source, while Rachel recalls Kamal Abdic as calm and warm rather than disturbed. The police, Scott says, have assured him they will not release information about Megan’s pregnancy until they know for sure. His account establishes that the information is being treated as unconfirmed or not yet ready for public disclosure, even as the pregnancy has become central to his private understanding of what happened.

Paternity and the Murder Inquiry

Scott is certain that the child was his, but says there has been no DNA testing; he offers certainty without explaining how he knows. The distinction matters. His conviction is emotionally decisive for him, but the evidence presented does not independently establish paternity. The pregnancy therefore carries both an intimate meaning for Scott and an unresolved factual question for the investigation.

Rachel considers the implications in more than one direction. If Kamal Abdic believed the child was his, she reasons, the pregnancy might suggest a motive; she also recognizes that the possibility could implicate Scott if he had believed Megan was carrying another man’s child. These remain Rachel’s suspicions, not conclusions. Scott’s visible shock and distress persuade her that his grief is genuine, but they do not settle the question of what he knew before Megan died.

Narrative and Emotional Significance

The disclosure changes how the reader understands the newspaper story. Its allegations concern a child from Megan’s past, while Scott’s news concerns a pregnancy at the time of her death; the two matters are distinct, but the public account and private revelation meet around the subject of motherhood and loss. The information is delivered through Scott’s recollection of what Riley told him, so the scene reveals his response and his belief about paternity without supplying independent confirmation.

The passage also turns pregnancy into a measure of what cannot be recovered. Scott had imagined meeting and knowing the child; Rachel grieves for a life that never came into being. At the same time, the fact of the pregnancy opens new lines of suspicion rather than closing the case. Its significance is therefore double: it gives Scott a devastating personal loss, and gives Rachel another possible motive to weigh without resolving who fathered the child or what role the pregnancy played in Megan’s death.