Charles Cullen’s chronic suicidality
The Good Nurse: A True Story of Medicine, Madness, and MurderCharles Cullen’s chronic suicidality is presented not as a single crisis but as a recurring pattern that changes form. He made repeated attempts to kill himself, including during his service in the United States Navy; later, in nursing, the book connects his access to vulnerable patients with a way of manifesting death without dying himself. That connection does not excuse his actions: it shows how a history of self-directed violence becomes entangled with the deliberate killing of others.
Attempts and the Navy crisis
As Cullen faced an expected dishonorable discharge from the United States Navy, he told Navy psychiatrists that he wanted to die rather than return home a failure. Doctors had previously found him sane and fit for service after alcoholic suicide attempts, prescribing counseling and Antabuse. He used the drug in another attempt and was treated for methyl salicylate poisoning. The sequence makes clear that his suicidality was recurrent, and that treatment and continued service had not ended it.
A physician’s assessment recorded poor eye contact, a soft voice, concise and evasive speech, and poor insight into his alcoholism. Cullen was also described as passive-aggressive and resistant to ward routine and rules. As he became more verbal, he spoke of loss, including his mother, to whom he was unusually close, and an unnamed fiancée. The report also noted that he had few friends, was shy, and could become intensely involved with women in a short time. These observations locate his crisis amid loneliness, attachment, and resistance, without reducing his repeated attempts to any one explanation.
The scar and the count
Much later, during a meeting with Amy Loughren, Cullen entered unshackled and sat beside her. She saw a thick scar on his biceps, which he said came from a botched suicide attempt. He described remembering instruction from basic training about how to cut an arm, then walking to a bathroom one afternoon, putting down his mop, and making a long incision with a razor. Seeing the blood and exposed tissue, he began screaming. The scar made a history otherwise recounted in numbers physically present in the room.
Cullen told Amy that he had attempted suicide twenty times and was still alive. The admission gives the recurrence a stark measure, but it also complicates any simple account of a person intent only on his own death: he said the attempts had taught him how he responded when cornered or powerless. The book presents this disclosure as part of his effort to explain the pattern, not as a denial that he knew his actions were wrong.
From self-destruction to death by proxy
The book draws its most consequential connection between Cullen’s suicidal behavior and his nursing career. When he felt cornered or impotent, his instinct was to subvert those feelings with the threat of death; yet he was not described as particularly interested in dying personally. Nursing gave him access to vulnerable people, allowing him, in the book’s formulation, to enact death without ending his own life. The phrase death by proxy names this displacement: the impulse turns outward, and patients become its victims.
That pattern unfolds inside ordinary hospital routines. At Saint Luke’s, Cullen could work alone in the medication room, handle supplies, and present himself as helpful. He preferred the hospital at night, when visitors and other extras were gone. He could inject digoxin into a patient’s IV line under the appearance of routine care, or prepare medication in a supply room before placing it in named patient trays. These details show how a clinical setting offered access and concealment; they do not establish that every act had a single motive. The narrative’s explicit link is broader: nursing provided a means of manifesting death while Cullen himself continued to live.
Disclosure and the limits of explanation
Amy’s understanding of Cullen changed as she confronted evidence of his conduct. After seeing a Pyxis printout connected to Reverend Florian Gall’s death, she could imagine that her friend had done something terrible, though she struggled to reconcile the evidence with the person she believed she knew. Later, when Cullen described his scar and repeated attempts, Amy heard his account in the context of the investigation and the patients harmed. Her sympathy did not make his acts harmless, and his history did not turn them into suicide attempts in the literal sense.
The account therefore holds two facts together: Cullen repeatedly tried to kill himself, and he deliberately killed patients. His later disclosure gives a shape to the relationship the book proposes between those facts, but it remains an explanation of how he redirected an impulse, not a justification or a complete account of every murder. The movement from self-directed attempts to death inflicted on others is the defining and most disturbing development in this portrayal of his chronic suicidality.


