Readify

Frank Brennan

The Hanging Girl

Frank Brennan, known at the Nature Absorption Academy as Atu Abanshamash Dumuzi, is the figure whose seemingly separate identities finally meet: a young man remembered from a peace-minded commune, a leader preaching nature absorption and solar spirituality, and the man recognized in the photograph central to the investigation. His authority rests both on an intimate, bodily style of teaching and on a carefully ordered community; the clues to who he is emerge from the contrast between that public role and recollections of his earlier violence.

Identity and Background

Before the Academy’s members knew him as Atu Abanshamash Dumuzi, Frank Brennan was remembered by people from a holistic commune as Frank, or the Scot. One former associate recalled that he helped collect leaflets for demonstrations, spoke persistently about peace, and spoke Danish fluently, despite the nickname. The label therefore gives the investigators a lead, not a clear explanation of his origins: the witness could not say why people called him the Scot.

That same recollection complicates the peaceful image. Frank argued that religions shared an origin and talked about stars, the sun, and constellations. He wanted the commune to build a sun temple in its back garden, and began rising with the sun to chant there. When a man at the commune objected to being woken early, Frank attacked him with extreme violence. The witness’s account is recollection rather than an official finding, but it gives the detectives a striking counterpoint to the later teacher of compassion and peace of mind.

From Frank to Atu

Albert Kazambra remembered meeting Frank in the summer of 1998, shortly after Kazambra’s wife had died. Frank made a frightening impression. Kazambra later followed him from a distance and learned that he had founded an academy in Sweden. The information became concrete when Kazambra handed Carl Mørck a sheet of paper identifying the Nature Absorption Academy as run by Atu Abanshamash Dumuzi, with its head office on Öland. The name Atu initially puzzled Carl, who had wondered whether Dumuzi was simply a name; at the Academy, a woman explained the names as Sumerian-derived and interpreted the full title as referring to a guardian of the sunstone and a son of lifespirit. That explanation presents the institution’s own account of its leader’s spiritual name, not independent evidence about Frank’s past.

The identification is confirmed in the Academy itself. Carl Mørck and Assad observe a gathering of roughly thirty to forty white-clad people, seated in silence and reverence. When the leader enters, he spreads his arms, rocks back and forth, and chants the repeated name Abanshamash, first alone and then with the assembly. Carl and Assad recognize him as the man they are seeking. The ritual makes the public name physically present: the same Frank connected to an old photograph now stands at the center of an organized following.

Teaching and Public Authority

The Academy’s appeal is presented through the body as much as through doctrine. In the London branch, housed in a simple Bayswater apartment, Frank does not adopt the distant posture of a guru seated in a carved chair. He moves among people sitting on the floor, smiling and speaking of nature absorption as a practice that can renew them. His teaching promises a feeling of bodily resistance to attack and of the self melting into the surrounding universe. The repeated invocation of Abanshamash gives the gathering a shared rhythm, while his gaze and manner make the teaching personal and immediate.

At the Swedish center, that personal authority is supported by routine and rank. Before a session, Pirjo dresses in white and arranges the disciples according to their rank and association. The hall’s skylights and golden-looking glass-tiled section of floor frame the place where Frank is expected to stand. The disciples gather in silence, and Pirjo regards the sessions as the high point of the day, whether they take place in the hall or at dawn on the beach. Her work in preparing the gathering shows that the Academy’s collective devotion depends not only on Frank’s presence but also on the labor that organizes it.

His public teaching also defines what followers are asked to set aside. Addressing newcomers, Frank says the Academy is not a place to pursue each person’s prior spiritual path, private understanding of the self, or focus on an individual soul and consciousness. He presents its exercises as simple rituals for achieving peace of mind, and invokes Horus as a way to give thanks for life and nature. He links the practice to compassion, love of fellow human beings, and the ability to assess the future and past without despair or regret. This language places the Academy’s claims within an expansive spiritual framework while describing its daily work as practical and durable.

The Academy and the Investigation

The evidence connects the leader’s spiritual identity to the investigation through people who recognize him. Simon Fisher tells Pirjo that a policeman showed him the photograph and that he recognized both Atu and the VW Kombi. Pirjo’s reaction makes clear that the vehicle, as well as the man, carries significance for her. This recognition helps join the Academy’s leader to Frank Brennan, the name being pursued by the investigators, and to the photograph that has prompted their search.

The path to that recognition is assembled from different kinds of testimony: an old associate recalls Frank’s commune-era speeches and assault; Kazambra recalls a frightening young man and supplies the Swedish Academy’s name and location; Simon Fisher identifies Atu from the photograph; and Carl Mørck and Assad recognize him in person at the gathering. Each strand narrows the distance between the remembered Frank and the revered leader. The investigation does not need the Academy to be a disguise in every respect: its name, rituals, and following are visible, while the unresolved question is how this leader’s public doctrine relates to the violent man described by witnesses.

Characterization and Significance

Frank Brennan is characterized through a sharp discrepancy between professed values and reported conduct. His teachings praise peace, compassion, and release from regret; the commune recollection describes a man who responded to an objection with a savage beating. The evidence does not erase one image in favor of the other. Instead, it makes the contrast central to the reader’s understanding of the identity the investigators are uncovering.

The Academy scenes show how charisma becomes an institution. Frank’s movement through a London room, his repeated chant, and the crowd’s synchronized response present authority as an embodied encounter. At the Swedish center, ordered seating, white clothing, tutors, rank, and Pirjo’s preparation give that encounter structure and continuity. His spiritual name and teachings offer the followers a shared language, while their reverence gathers around his presence. In the investigation, that same collective certainty has an ironic edge: the man treated as the answer to followers’ spiritual questions is also the person the police have been trying to identify.