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Frank Brennan's Creed about the Sun, Nature, and Bread

The Hanging Girl

Frank Brennan's creed about the sun, nature, and bread presents worship as a response to the conditions of life itself: the sun gives life, nature gives bread, and Horus names the instinct that joins reverence for both. Recalled by a professor during a conversation with Carl Mørck and Assad, the formulation also helps the investigators connect Frank's lectures to the apparent religious change they are trying to understand.

The Recalled Formulation

The professor did not claim to remember Frank's words exactly; he said he believed he remembered some of what Frank had told him the last time they spoke. He rendered the central proposition this way: “the sun was given to us in the form of life, and that nature was given to us in the form of bread.” The pairing makes cosmic and everyday sustenance part of one account: life is received from the sun, while bread embodies nature's provision.

In the recollection, that dependence leads to a demand for worship. Frank is described as saying that anyone who wants to worship everything divine, including what cannot be understood, must yield to what is certain. Horus, presented as the world's first sun god, is also described as the name of the primal instinct in humanity. That instinct commands people to worship the sun and nature with care and respect. The professor remembered Frank concluding that people ought to begin doing the things they had neglected “as soon as possible.” The urgency turns the creed from an explanation of belief into a call for action.

Horus, Nature, and Religious Change

The creed does not treat Horus only as a distant deity. It makes the god a symbol of an instinct within people, joining solar worship to reverence for nature. Its appeal rests on things the professor's recollection calls certain and immediate—life and bread—while extending those facts into a broader religious obligation. This combination gives Frank's teaching a practical emphasis: reverence should shape what people do, not remain an abstract idea.

After hearing the account, Assad asks whether it could have made Frank neo-religious, and the professor considers that very likely. Carl recognizes the report as part of a recurring pattern: people on Bornholm had seen signs of a change, including the man who found sunstones. Assad also recalls what the blind woman Beate Vismut had told Rose: Frank was “a genuine crystal,” had “seen the true light,” and thereafter could not live without it. The crystal image and the creed's solar language offer different ways of describing a perceived conversion: one pictures Frank reflecting a light he has encountered; the other gives that light a doctrine and a practice.

A Clue, Not a Settled Explanation

The professor turns the belief into a practical investigative lead, advising Carl and Assad to look for a man who lives by worship of the sun and nature, with Horus as its symbol. The creed therefore matters not only as Frank's reported teaching but as a possible means of recognizing him through his way of life.

Carl asks whether Frank might have wanted to become a new messiah and found the means through the professor's lectures. The professor doubts that explanation but leaves it open. The exchange establishes a connection between the lectures and the creed without proving that they caused Frank's transformation or that he sought messianic status. Its significance lies partly in that uncertainty: the remembered words sharpen the investigators' picture of Frank while leaving the purpose behind his beliefs unresolved.