Jade Bracelet with the Character "Gatsugi"
The Killing RoomFound in a drawer in Jiang Baofu’s apartment, the jade bracelet bearing the character for Moon briefly redirects Li Yan’s inquiry from an apparently isolated suspect toward a relationship in Jiang’s past. Its delicate construction and personal inscription make it look like evidence of an intimate connection; the account attached to it, however, remains tentative, and the object does not by itself prove anything about Jiang’s involvement in the case.
Discovery and Description
The bracelet comes to light when a young forensics officer delivers his final report on the search of Jiang Baofu’s apartment. The report offers little beyond the officer’s earlier verbal account, but he has also brought a separate find in a clear plastic evidence bag: a girl’s bracelet discovered at the back of a drawer. That location places it among Jiang’s private belongings, although it does not establish who put it there or how long it had been kept.
Li Yan holds the bracelet up for Nien Mei-Ling to inspect. It consists of a fine gold chain about six inches long, with four small carved jade Buddhas dangling at half-inch intervals on either side of a jade nameplate. The plate bears the character meaning Moon. The careful, personal design contrasts with the assumption that Jiang is a loner without friends or girlfriends. The forensics officer draws attention to that mismatch, while acknowledging that the bracelet might have no investigative significance at all.
From Find to Interrogation
At the table, Li Yan places the bagged bracelet before Jiang and asks him to account for it. Jiang leans forward, sees the object, and immediately blushes. Nien Mei-Ling initially interprets his embarrassment as a possible sign that he secretly wears women’s jewellery, but Jiang does not understand her suggestion. Her guess exposes how little the team knows about the bracelet’s owner, while his reaction indicates that the object is personally charged for him.
When Li Yan presses him to identify the owner, Jiang first claims that the bracelet is his. Li Yan asks directly who Moon is. Jiang then explains that she was a girlfriend from Yanqing, many years earlier, and suggests that she might not even remember him. The admission changes the meaning of the discovery: the bracelet is no longer merely an unexplained feminine object in a supposed loner’s apartment, but a possible keepsake from a past relationship. It does not, however, settle why Jiang kept it or confirm that his explanation is true.
A Partial Identification
Asked for Moon’s name, Jiang scratches his head, picks up the bracelet, and studies it again. Li Yan notices that his hands are shaking. Jiang eventually offers Zhang as what he thinks was her family name, but his answer is uncertain. He remembers that her family lived near the middle school in Yanqing; the account supplies a possible direction for locating her, not a verified identity.
That uncertainty matters to the bracelet’s evidentiary role. The inscription gives investigators a name by which to begin asking questions, while Jiang’s hesitant recollection provides a place and a fragment of social history. Neither detail independently corroborates the other. The object can prompt a search for a former girlfriend, but it cannot establish what she remembers, whether she will be found, or whether Jiang’s account explains all the circumstances of the find.
Investigative Value and Limits
Li Yan tells Jiang to go home rather than continue holding him. Nien Mei-Ling questions the decision, but Li Yan says there is no reason to detain him and that the team knows where to find him if necessary. His response keeps the distinction between suspicion and grounds for detention visible: a suggestive personal object is not enough, on its own, to justify holding Jiang.
Li Yan proposes finding the woman and asking whether she remembers the bracelet or Jiang. Even if she does not, he cautions, that absence of recognition would prove nothing by itself. He gives the evidence bag to Nien Mei-Ling so the bracelet can be photographed and its description circulated among the team. The next investigative step is therefore practical and provisional: turn the object’s distinctive details and uncertain name into a lead that others can check.
The bracelet’s significance lies as much in the limits of what it reveals as in its apparent intimacy. Its gold chain, jade figures, and Moon inscription suggest a remembered attachment, yet the story withholds confirmation from the person who could verify it. At the same time, the exchange sharpens the difference between Li Yan and Nien Mei-Ling: she appears unconvinced by his decision to release Jiang, while he insists on testing the account rather than treating the clue as a verdict. The bracelet advances the inquiry without resolving it.

