Xiao Fengzhen–An Wenjiang relationship
The Killing RoomXiao Fengzhen–An Wenjiang relationship The relationship between Xiao Fengzhen and An Wenjiang is reconstructed through conflicting testimony after Fengzhen’s disappearance. They had a daughter but were living apart; according to Fengzhen’s mother, An had beaten Fengzhen, while An acknowledged striking her and defended his conduct. The last reported plan between them was a weekend visit intended to repair the relationship. Fengzhen did not return, and the investigation’s questions brought their private conflict into direct contact with the possibility that she had been murdered.
A relationship lived apart
At the time of the investigation, Fengzhen and An were not living together. An attributed their separation to opposition from Fengzhen’s mother and described a plan for Fengzhen and their daughter to move back in with him after they reconciled. That account presents the separation as temporary and imposed from outside the couple; it is An’s explanation, not an independently established account of why they lived apart.
Fengzhen’s mother described a more troubling history. She said her daughter had gone to An’s apartment to try to make peace, despite the mother’s objections to the relationship. She had warned Fengzhen against him because, in her account, he had beaten her. The mother’s disapproval therefore came not only from a difference in temperament or social expectations: she believed An had harmed her daughter and could not understand why Fengzhen continued to love him.
The daughter was central to the couple’s intended future and to their conflict. An said Fengzhen and the child were supposed to return to his home. He also described an argument over the possibility of another pregnancy: he claimed Fengzhen had stopped taking precautions because she wanted a son, and he presented his own response as an attempt to prevent that outcome. His account reveals a relationship in which decisions about children and family planning were sources of serious disagreement, while his framing shifts responsibility for the conflict onto Fengzhen.
Violence and incompatible accounts
The evidence does not leave the reported violence as a mere accusation. Fengzhen’s mother said An used to beat her daughter, and Nien Mei-Ling confronted An with that history during the interview. An admitted that he had struck Fengzhen, but minimized the pattern as a single incident and argued that Fengzhen had provoked him. His explanation does not resolve the discrepancy with her mother’s account; instead, the contrast shows how differently the people closest to Fengzhen described the relationship and how An justified his own conduct.
Their incompatible versions also concern the weekend Fengzhen vanished. Her mother said Fengzhen had promised to stay at An’s apartment and return on Sunday night. When she did not come home, the mother initially wondered whether the couple had reconciled; by Tuesday, Fengzhen’s absence from the music school prompted her to worry and suspect An. An, by contrast, maintained that Fengzhen never arrived at his apartment and suggested that she had simply left. The scene provides no confirmation of what happened at the apartment—or whether she went there at all—so the planned visit remains both a possible attempt at reconciliation and the point at which the accounts diverge.
Disappearance and the possibility of death
The inquiry turns the couple’s history into a question of responsibility. Fengzhen’s mother believed An knew her daughter well and could have exerted strong influence over her, while An accused the mother of encouraging Fengzhen to leave. Neither assertion establishes what happened to Fengzhen. The mother’s certainty that An was involved and An’s claim that Fengzhen ran away remain opposed interpretations, set against the investigators’ effort to identify a body among those recovered from the mud in Pudong.
When Nien Mei-Ling asked about Fengzhen, An initially spoke as if Fengzhen had simply abandoned him. After Mei-Ling raised murder as a possibility, however, An fell silent and asked whether the investigators were telling him Fengzhen was dead. Li Yan clarified that they were trying to identify a body; An then asked whether it might be one of those found in Pudong. His question marks a consequential shift from an argument about whether Fengzhen had left him to the possibility that she had been killed, without confirming that the body was hers.
Attachment and unresolved aftermath
An’s response to the possibility of Fengzhen’s death complicates, but does not erase, the account of violence and blame. Li Yan noticed what appeared to be tears in An’s eyes and concluded that An’s feelings for the opera singer went beyond the sexual relationship he had boasted about. That observation belongs to Li Yan’s interpretation of the encounter; it does not undo An’s admission that he struck Fengzhen or settle whether he was involved in her disappearance.
The relationship therefore remains unresolved in both emotional and factual terms. Fengzhen’s mother remembered a daughter who loved a man she considered dangerous, and her grief was entangled with anger at that attachment. An presented himself as expecting a family reconciliation, yet denied that Fengzhen had come to see him and blamed others for the separation. By the end of the interview, the couple’s hoped-for return to a shared home had given way to an unanswered question about Fengzhen’s fate. The investigation exposes the distance between attachment, a claim of reconciliation, and the conflicting accounts that survive when one partner is missing.
