Elizabeth Stafford, Duchess of Norfolk
The King's CurseElizabeth Stafford, Duchess of Norfolk, is a kinswoman of Margaret Pole and the wife of Thomas Howard. Her visits to Margaret bring the private consequences of Anne Boleyn’s rising influence into view: Elizabeth says that a marriage has been arranged for her daughter without her consent, and presses Margaret to organize resistance in defense of the queen and princess. Her role reveals a political world in which noble kinship could furnish allies, but did not guarantee a woman authority over her own household or the realm.
Identity and Court Position
Elizabeth is identified as Margaret’s kinswoman and as the wife of Thomas Howard. She visits Margaret at Richmond Palace while the king’s court remains away from the capital, bringing game and court gossip. Her family’s connections also overlap with Margaret’s: Margaret’s daughter Ursula is married to the duke’s son, binding the households through marriage.
That kinship gives Elizabeth access to Margaret, but not command over the political decisions affecting her family. In a private conversation, Elizabeth describes Anne Boleyn as directing the king, who in turn directs Thomas Howard. She says that Anne has ordered a marriage for Elizabeth’s daughter and that no one consulted her. Her complaint is at once personal and political: her birth as a Stafford does not protect her from being overruled within her own family.
Warning at Richmond Palace
Elizabeth first pays her respects to Princess Mary Tudor, then speaks with Margaret in the privy chamber. Their ladies sit apart, and Elizabeth asks two of them to sing so that the conversation is less exposed to observation. She uses this guarded meeting to report the marriage arrangement and to describe the chain of influence she believes has produced it.
Her account makes domestic arrangements part of the larger contest at court. Elizabeth sees Anne Boleyn’s authority extending from the king to Thomas Howard and from him into Elizabeth’s family. The episode gives her a distinct perspective on the crisis: she is not merely passing on gossip, but describing how royal policy and court alliances reach into the marriages of noble households.
Appeal for Resistance
Elizabeth argues that resistance could draw support from common people, those prepared to take up arms at the Pope’s command, Spaniards who might intervene for the princess, supporters of the queen, and Plantagenet kin. She presents this potential coalition as vast, but directs her appeal to Margaret in particular: if Margaret would lead, Elizabeth believes others would follow.
She also makes her own commitment explicit. She says that she remains loyal to the queen and would do everything she could, including speaking with the Spanish ambassador and her kinsmen. The appeal does not establish that she led a rising or that the proposed supporters acted; it establishes her willingness to seek allies and her effort to persuade Margaret to take responsibility for organizing them.
Limits and Narrative Role
Margaret refuses to participate in gathering supporters, saying that she cannot entertain the discussion in Princess Mary Tudor’s household. Elizabeth accepts that boundary but insists that the danger and the possibility of resistance are real. Her visit thus places an urgent political choice before Margaret without resolving it.
Elizabeth’s importance lies in the contrast between the breadth of the kinship and political networks she invokes and her own lack of control over her daughter’s marriage. She can warn, enlist contacts, and urge a powerful kinswoman to act, yet she describes herself as subject to decisions made by Anne Boleyn, the king, and her husband. Through her, the novel shows both the potential force of aristocratic connections and the constraints that limited women’s authority within them.