The sacramental indissolubility of marriage
The King's CurseThe sacramental indissolubility of marriage is the principle that a valid marriage cannot be ended at a husband’s or ruler’s wish: in Margaret Pole’s account, it lasts until death. The novel gives that doctrine practical force. It protects a wife’s title and a child’s standing even when a husband pursues other attachments, but it also exposes a conflict over who can decide whether a marriage is valid. As Henry VIII’s marital dispute becomes a struggle with the Papacy, a religious rule becomes part of the contest over the Church and the succession.
The Rule in Family Life
Margaret explains the rule to the young Princess Mary while discussing the princess’s aunt, Margaret Tudor, Dowager Queen of Scotland, who is seeking a divorce from her husband. Margaret maintains that a wife is bound to obey her husband and that marriage ends only with death. She does not present this as a matter of affection: a wife may object to her husband’s choices, but she cannot take command of him or end the marriage herself. A good wife may warn him if he endangers his soul; her duty, as Margaret describes it, is otherwise to live within the marriage he governs.
Margaret’s explanation distinguishes the marital bond from a husband’s conduct outside it. The king may dance with another woman, write poetry to her, or show favor to a child born outside his marriage, but these acts do not dissolve his marriage or erase the legitimate child’s place. The queen remains queen for her life, and a princess keeps the status into which she was born. The rule thus asserts continuity against the instability of courtly favor: private attachments may change, but they do not by themselves change the legal and dynastic consequences of marriage.
Mary tests the teaching against the example of her own parents, whose marriage Margaret recalls as a love match. Margaret acknowledges that their story was exceptional, not a guarantee that every woman could marry for love. Her instruction is both doctrinal and protective: she insists on the permanence of the queen’s marriage and title while trying to shield Mary from the consequences of her father’s shifting affections and political intentions.
A Principle Applied Unevenly
The novel makes the rule’s political force visible through a reversal. Henry VIII speaks emphatically of marriage as a sacrament and an indissoluble bond when his sister seeks to leave her husband. He reminds her and her husband that no man can put asunder the marriage bond. Yet Henry later seeks to end his own marriage to Katherine of Aragon, arguing that her marriage to his brother, Arthur Tudor, makes their union sinful and invalid.
That dispute turns on more than the general question of whether marriages can end. Henry’s case depends on whether Katherine’s earlier marriage to Arthur was consummated and whether the necessary papal dispensation made her later marriage to Henry valid. Margaret is caught in the conflict because she had responsibility for the household in which Arthur and Katherine lived. Under pressure from Margaret Beaufort, Henry’s mother, she confirms that Arthur was taken to Katherine’s room each week, as ordered. That account establishes access, but it does not settle what happened between them. Margaret Beaufort presses her to affirm that the couple were married in fact as well as ceremony, treating Margaret’s knowledge as evidence that could determine the fate of her son’s marriage and household.
The scene shows how the doctrine can be invoked in opposing ways. If Henry and Katherine’s marriage is valid, its indissolubility supports Katherine’s claim to remain his wife and queen. If the earlier marriage makes their union invalid, Henry can argue that he is not dissolving a valid sacrament but correcting an unlawful arrangement. The dispute therefore depends on authority over evidence and interpretation as much as on the abstract rule.
Papal Authority and the King’s Claim
Katherine maintains that God called her to marry the King of England and that there is no reason her marriage should be declared invalid. For a time, the Pope’s ability to judge the question appears decisive. That prospect changes when Charles V, Katherine’s nephew, invades Rome, captures the Pope, and holds him virtually prisoner. From the remote west of England, Margaret understands that a captive Pope is unlikely to rule against the Spanish queen. She expects Katherine to persist in her account of the marriage, while fearing that her own earlier knowledge of Arthur and Katherine may be demanded as testimony.
The novel connects marital status to Mary’s well-being as well as to the queen’s public position. Katherine tells Margaret that the king’s view of the dispute makes no difference to the place God has appointed her; only the Holy Father, she says, can command her differently, and he has not yet done so. Margaret reports that Mary is distressed by the conflict between her parents: she struggles to eat, suffers pain, and cannot bear the thought of losing either her mother or her father. The contest over whether the marriage stands is therefore not confined to the royal couple. It unsettles the identity and security of their daughter.
The conflict sharpens when Henry claims authority over the Church in England. Mary learns that the Church has surrendered to the king, that the Pope is to be disregarded in England, and that Thomas More has resigned as Lord Chancellor. She recognizes the reach of the change: the king is taking the Church’s wealth, laws, and courts into his own possession. The question of marital validity now sits inside a larger jurisdictional struggle. The royal claim is no longer merely that Henry’s interpretation is correct; it is that the king himself can rule on the matter within England.
The Oath and the Consequences of Authority
In spring 1534, Thomas Cromwell administers the oath of succession to the nobility at Westminster Palace. The Pope has publicly ruled that Katherine and Henry’s marriage is valid and that Henry should live with his true wife. Yet the king asserts that the Pope has no authority in England and declares Katherine no longer his wife, Anne Boleyn queen, and Anne’s child a princess. In Margaret’s account, royal declaration begins to compete with religious judgment as a means of making a disputed reality official.
The oath brings that competition to individual conscience. Thomas More will not sign it as written, although he is willing to sign a revised version and does not condemn those who accept it. He says he cannot sign the existing oath for the sake of his own soul. Henry had promised More that he would not force him to face this test, but breaks that promise. The episode shows the cost of turning a contested account of marriage and succession into a required public declaration: obedience to the king’s settlement may conflict with a person’s understanding of religious truth.
The principle’s significance lies in this movement from marriage vows to public power. At first, indissolubility protects the queen and preserves the status of the child born within the marriage, even as the king’s attention shifts elsewhere. Later, the validity of the marriage becomes the point at which papal authority, royal rule, and personal conscience collide. The novel presents the doctrine not as an abstract formula settled outside history, but as a rule whose meaning and force are contested by those who control testimony, judgment, and the institutions that make a marriage count.