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“Sleep, my dear Chevalley, sleep”

The Leopard

“Sleep, my dear Chevalley, sleep” is Don Fabrizio Corbera, Prince of Salina’s compressed answer to the hope that political freedom will awaken Sicily to a new future. In the exchange with Cavaliere Aimone Chevalley di Monterzuolo, the command to sleep turns a description of Sicilian inertia into a broader, bleak account of the island’s relation to change.

The phrase in its exchange

Chevalley argues that Sicily is no longer a conquered land but a free part of a free state. Don Fabrizio replies that the good intention comes too late and shifts the image from a young Sicily encountering modern wonders to an aged figure unable to engage with modern industry and longing to sleep. Against Chevalley’s language of political liberation, repose becomes Don Fabrizio’s governing image for the condition he sees around him.

Sleep as a figure for Sicilian desire

Don Fabrizio repeats the imperative and says that Sicilians want sleep and will resent anyone who tries to wake them, even with gifts. He doubts that the new kingdom will bring many gifts to Sicily. He extends the image beyond simple passivity: he interprets sensuality, violence, languor, and meditation as different expressions of a wish for oblivion, immobility, or death. The phrase therefore gathers his argument into one memorable contradiction: efforts to awaken the island may be experienced not as help, but as an unwelcome disturbance.

Historical delay and Chevalley’s response

The surrounding speech links this desire for repose to a century-long lag in artistic and intellectual life. Don Fabrizio argues that novelties attract Sicilians only once they are no longer capable of stirring vital currents, and that supposedly ancient myths may in fact be recent attempts to retreat into a dead past. Chevalley does not fully understand the speech and questions whether Don Fabrizio is exaggerating, pointing to emigrants he has met in Turin, including Crispi, who seem far from asleep. The phrase thus stands not as an uncontested description but as Don Fabrizio’s sweeping diagnosis, immediately met by a concrete objection.

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