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“The voice of the hour”

The Man Who Laughs

“The voice of the hour” is the novel’s image for clock time sounding, in a moment of abandonment, like an impersonal declaration that human suffering does not matter. When three o’clock tolls behind the child from the old belfry of St. Nicholas, the hour becomes more than a measure of the night: its strokes seem to answer the child’s misery with indifference.

The Hour Made Audible

The expression is framed by a brief exchange: a voice answers, and the narrator identifies it as Time. The answer is then given a concrete sound in the slow tolling of three o’clock. Afterward, everything sinks into silence again. This movement from voice to bell to silence makes the hour feel momentarily present, while leaving its meaning bleakly impersonal.

The Silent City

The silence has a specific human cause. In January 1790, London had recently suffered a severe outbreak of plague, and fear of sick vagabonds diminished hospitality. Inhabitants kept their windows shut, afraid even to inhale what they imagined might be poisonous air. Against that background, the bell’s sound reaches the child in a city where no one opens a lattice to help him. The hour’s indifference is not the only coldness he encounters: the narrator distinguishes the intentional coldness of people from the coldness of the night.

Meaning and Narrative Function

The narrator describes the hour’s strokes as another blow and compares their effect to Eternity saying, “What does it matter to me?” The metaphor makes measured time sound like a judgment, not because the clock acts with human malice, but because its steady passage offers no response to suffering. The child feels that the town is more unbearable than the open plain and briefly wonders whether it would be easier to lie down and die. Yet the infant rests her head on his shoulder and falls asleep. Her unspoken dependence becomes a counterweight to the bell’s apparent message: the child resumes his way because someone still needs his support. The expression thus marks both the depth of his isolation and the duty that carries him onward.