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Anne and Josiana’s half-sister relationship

The Man Who Laughs

Queen Anne and Josiana’s half-sister relationship is marked by resemblance and rivalry: their different maternal origins expose a point of vulnerability for the queen, while Josiana’s beauty and betrothal provoke her jealousy. Anne nevertheless maintains a public show of favor toward her sister, leaving affection possible but thwarted by their kinship and the comparisons it invites.

Kinship and Unequal Birth

The narrative presents Josiana as Queen Anne’s sister, but distinguishes their maternal backgrounds. Anne was the legitimate daughter of Anne Hyde, a gentlewoman whom James II married while he was Duke of York. Josiana, by contrast, was born illegitimately. The contrast unsettles Anne because her own descent, though legitimate, included what she regarded as inferior blood; Josiana’s birth draws attention to that perceived weakness in the queen’s royal standing.

The sisters’ circumstances thus create an uncomfortable resemblance rather than a simple hierarchy. Anne’s mother’s marriage was legitimate but socially beneath the royal rank, while Josiana’s birth was irregular. At court, no one openly voiced the comparison that Josiana’s mother was at least as good as Anne’s, but the narrative suggests that courtiers recognized it. Josiana’s existence makes Anne’s own maternal origins harder to ignore.

Jealousy and Courtly Favor

Anne resents Josiana for two immediate reasons: she considers Josiana beautiful, and she considers Josiana’s betrothed handsome. The narrative presents these as grounds for jealousy, then adds the more intimate grievance that Josiana is her sister. Josiana’s beauty and philosophical disposition vex the queen, who dislikes pretty women and regards their appearance as contrary to good morals. Anne herself is described as ugly, and she has incorporated that appearance into part of her religious outlook.

Despite this resentment, Anne smiles on Josiana. The account allows that she might even have liked her had she not been her sister. That qualification makes the relationship’s tension structural: Josiana is not merely a rival at court, but a close relation whose birth and appearance continually invite comparison with the queen. Anne’s outward favor therefore coexists with private grievance, without resolving it.

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