Children abandoned at Portland
The Man Who LaughsThe abandonment of the ten-year-old Gwynplaine on the Portland shore is a decisive rupture: the only human group he has known leaves him behind, and the child is forced into solitude without money, shoes, food, or knowledge of where he is. The scene makes abandonment a deliberate act rather than a gradual disappearance. A hurried departure closes the distance between the boy and the departing vessel, while the narration’s later attribution points toward the Comprachicos as the party responsible for casting him away.
The hurried departure
The departure is already in motion when the child is left. The hooker is decked, its cargo has been stowed, and the last case has gone aboard. The two figures in the group who seem to be women are already on the vessel; six others, including the child, remain on the low platform of the cliff. The captain takes the helm, and a sailor raises an axe to cut the hawser. The detail marks the haste: the rope is cut rather than patiently untied.
The apparent chief, identifiable by the spangles on his rags, gives a low command: “Andamos.” The child rushes toward the plank, trying to be first across. Two men pass him at the risk of knocking him into the water; another drives him back with his fist and follows. The chief leaps aboard and kicks the plank into the sea. An axe stroke severs the moorings, the helm is put up, and the vessel pulls away. Each movement makes the result more final: the child has not merely been delayed in boarding but physically excluded from the departure.
A separation without farewell
The child remains motionless on the rock, watching the bark. He neither calls out nor appeals to the men, and no farewell comes from the vessel. The silence is mutual: the men do not answer because none of them speaks to him, while he makes no attempt to summon them back. The narration presents the growing distance as accepted on both sides, giving the separation the stillness of a settled fact rather than a misunderstanding that might yet be corrected.
The tide begins to bathe the rock as the child watches. The hooker passes through the narrow channel, its masthead visible against the sky before it seems to meet the rocks and disappears. The vessel’s passage out of sight supplies the scene with a clear point of closure: the boy has watched the last known people in his life sail away, and there is no remaining sign of them. His astonishment and dreamlike stupefaction accompany an early recognition of the darkness of his position, though the narration does not give that recognition the clarity of an adult understanding.
The child left on the shore
Only after the vessel is gone does the account state the condition the departure has made unavoidable: the child is alone. Until this moment, the men on the hooker constituted the only human beings he knew. Yet the narrative distinguishes knowing them from belonging to them. He had lived among them without any sense that he was one of their number; he could not say who they were, and there is no indication that he knew either parent or had received affection from anyone in the group. They had made him work, but no one spoke to him. Their departure thus exposes the emptiness of a connection that had existed in proximity and labor, not in family care.
The immediate circumstances sharpen the danger. He has no money, no shoes, scarcely any clothing, and not even a piece of bread. It is winter and night; the nearest human habitation lies several leagues away, and he does not know his location. The sea and the night enclose him on the shore, while the rising tide and north wind make his isolation physical as well as social. He has been left not simply without companions but without the practical means to reach shelter or provision. At ten years old, he confronts this condition with no adult protector beside him.
Attribution and narrative significance
The later account asks by whom the child had been cast away on the solitary ground of Portland, and answers cautiously: to all appearances, by the Comprachicos. This is an attribution rather than a witnessed explanation of the group’s purpose. It connects the departure to the people associated with the child’s earlier captivity while preserving the narrative’s qualification about what can be established. The evidence of the abandonment itself lies in the action at the shore: the plank is kicked away, the hawser cut, and the child left behind as the vessel sails.
The scene’s force comes from the contrast between the party’s urgent coordination and the child’s exclusion. The men act quickly enough to load the vessel and put to sea, yet no one makes room for him or offers even a final word. His silence does not soften the act; it makes the absence of reciprocal care stark. The episode therefore establishes the child’s solitary condition through concrete deprivation and through the collapse of what had passed for human association. The departing hooker carries away the only people he knew, while the shore leaves him exposed to an unknown night and an unknown way forward.


