Readify

Sea declaration and James II’s royal-command parchment

The Man Who Laughs

The Sea declaration and James II’s royal-command parchment is the surviving record that turns Gwynplaine’s concealed childhood into a legally stated identity. Its importance rests on the combination of two texts on one sheet: a declaration made by the men who had taken and abandoned the child, and, on its reverse, the royal order associated with his purchase. Carried from a doomed ship in a sealed bottle, the parchment passes from private confession into official custody and becomes evidence of both the child’s identity and the sovereign command behind his dispossession.

Composition and contents

The declaration is presented in court on a parchment described as yellow and green, torn and jagged in places, and folded into very small creases. One side is covered in writing. It dates its account to 29 January 1690 and states that a ten-year-old child has been abandoned on the coast of Portland, left to perish through hunger, cold, and solitude. The record identifies that child as Lord Fermain Clancharlie, the only legitimate son of Lord Linnæus Clancharlie and Ann Bradshaw, both deceased, and the inheritor of his father’s estates and titles.

The declaration connects that identity to a deliberate chain of actions. It says the child was sold at two years old by order of James II, after his father’s death, and that the king received ten pounds as purchase money, along with concessions, tolerations, and immunities. The writers state that they bought him, kept him for eight years for professional purposes, and had him subjected to deliberate facial alteration by Hardquanonne. They record that he was meant to become a laughing mask, and explain why the child raised among fairs and markets was being abandoned: the writers were fleeing England, fearful of Hardquanonne’s fate and of parliamentary penalties against their group. Thus the parchment does more than name Gwynplaine; it sets out the political and commercial circumstances that severed him from his inheritance.

The authors frame their account as a confession made when their ship is in danger. They say that, although they had sworn secrecy to the king, they had not sworn secrecy to God. With hope in human help exhausted and fear of divine judgment remaining, they entrust the declaration to the sea, sign it, and present their repentance as the reason for exposing what they had concealed. Their account therefore joins an accusation against royal power to an appeal for spiritual pardon. The text names Galdeazun and Ave Maria, Thief among the two remaining crew members after the skipper has been swept away; the named accomplice Hardquanonne, it says, is imprisoned in Chatham.

Royal command and material evidence

The declaration is written on the back of the royal order that had served as a receipt when the child was bought. The sheriff explains this relationship while reading the document, then turns the sheet toward the light. The reverse appears almost blank, but bears the Latin words Jussu regis and the signature Jeffreys. The juxtaposition is decisive: the confession supplies a narrative of the transaction, while the royal mark and signature place the purchase within an order issued under royal authority. In the hearing, the parchment makes it possible to connect the child’s hidden identity not merely to the men who raised him, but to the command under which he was sold.

The document’s survival depends on its container as well as its writing. The declaration says it was composed aboard the Matutina, a Biscay vessel from the Gulf de Pasages. The sheriff displays the gourd in which the shipwrecked men placed it: the vessel is wrapped in wicker, has handles like ears, and bears traces of shells, seaweed, and ocean rust. A ring of tar at its neck indicates that it was sealed; the tarred-oakum stopper has been put back after the bottle was opened. A narrow red reed, darkened and broken in places but still legible between the wicker strands, spells Hardquanonne’s name. The bottle and the parchment together preserve clues to authorship, custody, and the message’s passage through the sea.

From sea message to official proof

The document’s route belongs to an established maritime system. A ship’s captain could write information on paper, seal it in a bottle, and cast it overboard; whether the vessel sank, floated, or came ashore determined which office handled it. The Admiralty treated such messages as potentially valuable intelligence about ships, crews, locations, times, losses, winds, and currents. In the case of this parchment, the message does not arrive through a conventional witness. It reaches land as a sealed object whose contents must be found, opened, recorded, and authenticated.

Barkilphedro tells Gwynplaine that, as an Admiralty officer, he received the bottle after it was found on the beach and opened it in the presence of two sworn jurors of the Jetsam Office, William Brathwait and Thomas Jervois. They deciphered and attested the contents and signed an affidavit with him. Barkilphedro then reported the matter to Queen Anne; he says that the required legal formalities were carried out, including the confrontation with Hardquanonne. The parchment’s authority in court is therefore built through a chain of material custody and institutional acts: discovery, opening under supervision, transcription and attestation, report to the queen, and public reading.

Reading and consequence

At the hearing, the sheriff reads from the parchment while Gwynplaine is brought forward. He presents its statements as the record of the child’s abandonment, sale, and inheritance, and identifies the royal order on the reverse. The paper’s contents are then tested against Hardquanonne’s connection to the bottle and his recognition of it. The sheriff states that Hardquanonne had recognized the flask when it was first shown to him, had refused to answer after the parchment was read, and later recognized the victim when brought into his presence. The document thus operates alongside a confrontation: it gives the court a written account, while the bottle’s marking and the prisoner’s recognition connect that account to the people named in it.

Barkilphedro’s explanation to Gwynplaine makes the consequence plain. He identifies the bottle as a message found and processed through his office, then tells Gwynplaine that he is the heir to an income of £40,000 a year, a peer of the United Kingdom, and about to marry a duchess. The parchment has not itself bestowed those rights; it has supplied the evidence through which Gwynplaine’s concealed status can be recognized. Its central irony is material and political: the order that helped erase the child’s place in his family survives on the back of a confession meant to reveal that erasure. A document once used in the purchase becomes, after its long passage through the sea and the offices of the state, the instrument by which the hidden heir is publicly identified.