Readify

The Matutina’s attempt to steer clear of the breakers

The Man Who Laughs

The Matutina’s attempt to steer clear of the breakers is a race to interpret a storm’s signs before the vessel is driven onto the rocks at Aurigny. Gernardus Geestemunde recognizes danger in a cloud and then in a bell that the skipper cannot at first understand. His orders redirect the ship west, toward the very buoy whose toll reveals how perilously wrong its course has become; the crew acts, but the wind and sea continue to gather force.

The cloud and the doctor’s alarm

The danger first registers on Gernardus Geestemunde’s face. As the skipper speaks confidently of the Gulf of Gascony and his knowledge of its seabed, the doctor stops listening and looks northeast. At the sight of a speck on the horizon, his expression changes to one of extreme terror. He says “Good!” and then declares himself resigned. The juxtaposition is striking: what the skipper takes to be reassuring familiarity with a known sea does not answer the danger the doctor sees approaching.

The skipper identifies the distant sight as clouds rather than sky. Gernardus Geestemunde makes the distinction that matters: a blue cloud is worse than a black one because it is a snow-cloud. The skipper repeats the Spanish phrase for a snow-cloud as if testing its meaning, then asks what one is. The exchange puts the two men at different levels of understanding. The skipper sees a cloud and seeks an explanation; the doctor reads it as a warning of the weather that is already closing around them.

The course west

Gernardus Geestemunde’s warning becomes a practical command. He tells the skipper to port the helm and haul up on the starboard tack, then clarifies the intended direction: steer west. When the skipper asks whether he should go east, the doctor answers that death is in the east. The skipper agrees to steer west, although he still dismisses the doctor as more madman than sage. His skepticism does not prevent him from following the order: he moves away, but the wind and sea are rising.

Before the bell is heard, the doctor gives the skipper a reason to take the danger seriously. If a bell sounds out at sea that night, he says, the ship is lost. This prediction gives the coming sound a grave significance in advance. When the men later hear a bell distinctly through the darkness, the warning is no longer an abstract forecast: a navigational clue has arrived, and the crew must understand what it says about their position.

What the bell reveals

The bell belongs to the Channel bell buoy, moored by chains to a shoal halfway between Portland and the Channel Islands. An iron trestle carries the bell above the buoy; in bad weather, heavy seas toss the float and set it ringing. The sound is therefore not incidental to the storm. It is produced by the movement of the water around a fixed warning marker, and its direction gives the doctor evidence about the ship’s course.

The crucial condition is the nor’wester. The breakers at Aurigny lie to the east, and the wind carries the bell’s sound to a ship situated between the buoy and those breakers. Hearing it means the Matutina is on the wrong side of the buoy, with the wind driving the vessel toward danger. From the safe side, Gernardus Geestemunde explains, the ship could pass close to the buoy without hearing it: the wind would carry the sound away rather than toward the vessel. The bell is thus both warning and diagnosis. Its toll confirms that the ship is out of its course and that the storm is pushing it toward the breakers.

The doctor’s explanation unfolds against the sound itself. He pauses for a violent gust, waits for the bell to become audible again, and lets its intermittent strokes reinforce his account. The men listen first to his voice and then to the bell. Its toll, briefly slowed by a lull, seems to affirm the danger he has described. The skipper had already been told that the sound would mean the ship was lost; now he learns why it means that. The threat comes not from the bell itself but from the wind, the ship’s position, and the rocks toward which the wind is driving it.

The attempt and its limits

The skipper responds by taking up his speaking-trumpet and ordering the crew to strike every sail, release the sheets, and man the down-hauls. He calls for a westward course, a return to the open sea, and a heading toward the buoy and its bell, reasoning that an offing may still be reached. Gernardus Geestemunde gives the attempt no assurance of success; he tells him only to try. The shift from the doctor’s grim prediction to the skipper’s urgent hope leaves escape possible, not promised.

The orders are obeyed. The Languedocian joins the sailors, and all help to strip the ship of canvas. They furl the sails, secure the lines, brace the rigging, fish the mast, and batten down the ports and bull’s-eyes. Though the work is carried out awkwardly, it is effective: the hooker is left under bare poles. Yet reducing sail also leaves the vessel more helpless, and the wind and waves intensify. The seas rise into mountainous swells, and the hurricane begins to tear at the craft; a sudden crash marks the sails being blown away. The account of this attempt therefore turns on a hard reversal: the crew can act on the doctor’s warning and alter the ship’s handling, but seamanship does not make the storm yield. The buoy offers a possible route back to open water, while the worsening weather presses the danger forward.