The child’s crossing of Portland in the snowstorm
The Man Who LaughsThe child’s crossing of Portland in the snowstorm turns a frightened flight across an empty landscape into a test of survival. After running from the gibbet, he must keep moving through the snow without a known route, driven first by fear and then by hunger. Smoke offers a possible sign of people and shelter, but reaching it requires him to descend the rough slopes of the Isthmus of Portland as a storm blows in from the sea.
Flight across the plain
The crossing begins in panic. The child runs breathlessly and at random across the plain, into the snow and open space; the exertion warms him, and the narrative makes clear that, without the running and the fright, he would have died. When he has to stop for breath, fear keeps him from looking back. He imagines the birds pursuing him, the dead man having broken free of his chain, and even the gibbet coming down the hill after them. These imagined pursuers turn the landscape behind him into an extension of the horror he has just escaped. Once he has recovered somewhat, he resumes running rather than risk looking back.
The fear does not vanish so much as yield its place to a more immediate need. By the time he has run a quarter of a league and walked another quarter, hunger suddenly overtakes the apparition on the hill in his thoughts. He knows his pockets are empty, yet quickens his steps toward some possible shelter. His destination is uncertain: he does not know where he is going, only that he needs somewhere to eat and rest. The search for an inn becomes the first practical direction his flight has acquired.
Finding a route through the fog
The child continues across the plain, tiring despite the strength he feels in his thighs. Snow has erased any tracks that might have guided him, and he recognizes nothing. He inclines east by instinct. Sharp stones wound his heels; in daylight, the blood would have marked the snow behind him. The crossing is thus measured not by a familiar road but by bodily effort, pain, and the few clues the weather leaves visible.
From a raised strip of land, he tries to see beyond the plain. Instead of a clear horizon, he finds a vast, livid opacity. As he stares, the indistinct expanse separates into fog and dark shreds of smoke near a distant fold of land to the east. He reasons that smoke means people and turns toward it. The clue gives him a direction, not a guarantee of safety: the mist blurs the ground, and what appears below could be a sandbank or a tongue of land. Still, he judges that he must pass that way.
The route brings him to the Isthmus of Portland, the alluvial stretch called Chess Hill. The place is a threshold in practical terms: he has crossed the high plain, but must now descend from it toward the narrow land below. What began as an unplanned escape has become a hazardous passage shaped by the terrain and by the child’s effort to make use of whatever he can see.
The descent as ordeal
The descent is steep and rough, the reverse of the ascent he made on leaving the creek. He jumps from rock to rock, risking a fall into the depths below. When ice or rock makes him slip, he catches at weeds and thorny furze, whose points pierce his fingers. Easier slopes briefly let him recover his breath, but the precipice returns, forcing him to solve each step as a new problem. The narration emphasizes the practical intelligence demanded by the terrain: he gets down through instinct and improvisation, under the constant possibility of injury or death.
As he approaches the isthmus, he repeatedly listens while bounding or dropping from one rock to another. A faint uproar sounds far to his left, like a deep clarion: the gathering winds that precede the north blast. At the same time, large frozen flakes touch his brow, eyes, and cheeks like cold hands. The snowfall, at first soft and scattered, eddies around him and heralds the storm. The danger is no longer only behind him, in the gibbet and the pursuers he imagines; it is also arriving across the land in the weather.
The storm reaches land
The snowstorm has been over the sea for the last hour and is now beginning to gain the shore. It advances slowly across the plains, entering Portland obliquely from the northwest. The child is still descending toward the Isthmus as the storm begins to invade the land; the account closes on this movement rather than on a confirmed arrival at shelter. Smoke has shown him where people may be, but the crossing has not yet delivered him to them.
The episode links bodily need to landscape without making either a secure guide. Fear propels the child away from the gibbet; hunger gives his journey a purpose; smoke suggests a human refuge; and the descent and storm threaten to defeat that search. His survival depends on continuing to move and responding to immediate signs, even when he cannot see the road ahead. The shift from imagined pursuit to the real hazards of hunger, cliffs, ice, and weather gives the crossing its force as an ordeal in which shelter remains a hope, not an accomplished outcome.