Windsor Castle
The Man Who LaughsWindsor Castle is identified in a fleeting view from the palace where Gwynplaine awakens and later wanders in search of a way out. The text presents it as a landmark glimpsed from within a disorienting world of opulent rooms, rather than describing the castle itself or establishing it as the palace’s location.
Identification and Setting
From one of the palace windows, Gwynplaine sees a great tower and recognizes it as Windsor Castle. The identification is brief: the narrative names the landmark but offers no account of its history, architecture, or inhabitants. It belongs to the landscape beyond the palace, glimpsed amid the changing views from its windows.
The Palace and Its Views
The contrast between the landmark and Gwynplaine’s immediate surroundings is sharpened by the palace’s scale and ornament. Its courtyard has a central carriage gate and smaller entrances for riders and pedestrians, iron railings tipped with glittering points, a monumental sculpture, and a patterned mosaic. A vast, shadowed building rises above the court; beyond its colonnade, a fountain scatters water between basins beneath rows of windows, sculpted panoplies, busts, trophies, and figures of heathen gods.
When Gwynplaine later looks from the palace windows, each offers a different prospect: gardens, a statue-decked plot, a cold Spanish-style patio, the Thames, or the tower identified as Windsor Castle. The succession of views places the castle among recognizable features of the surrounding world, but does not make it the site of his confinement.
Narrative Significance
The castle’s appearance is a small point of orientation within a scene structured by disorientation. Gwynplaine cannot find an exit through the palace’s maze of rooms and magnificent objects; the familiar landmark seen beyond its windows underscores the difference between the open world outside and the luxurious enclosure holding him. Windsor Castle is therefore a named point in the landscape, while the palace’s labyrinthine interior remains the scene’s immediate focus.