Philippe, Duke of Chartres, and Madame Lucifer
The Moon and the SunThe relationship between the Duke of Chartres and the Duchess of Chartres is marked by the gap between dynastic purpose and personal attachment. The Duke says he married her to advance his family’s fortunes; her dry reply that the match did little for them makes the marriage’s political calculation and limited returns explicit.
A Marriage for Family Advantage
The Duke of Chartres describes the marriage in instrumental terms: he chose the Duchess of Chartres to improve his family’s position. Her answer—that the arrangement had done them little good—does not dispute his account so much as puncture its justification. Their brief exchange presents the match as a shared disappointment, with neither speaking of affection as its purpose.
Courtly Distance
At a courtly gathering, the Duke of Chartres offers to escort Marie-Josèphe de la Croix if another man is late. The Duchess of Chartres sharply redirects him: he should escort his sister, since his wife does not see fit to do so. The exchange implies that she will not accompany him, while her intervention makes that absence visible to others. The scene offers a small but telling instance of their distance, expressed through the formal business of who escorts whom.
Public Image and Private Tension
The Duchess of Chartres is also identified by the nickname Madame Lucifer, which her husband uses for her. In another courtly moment, she whispers an admiring remark about a handsome man, and Mlle d’Armagnac agrees. The excerpt does not identify the man, so the exchange cannot establish an attachment or explain the nickname; it does show the Duchess expressing an opinion in the company of her attendant. Taken together with the couple’s account of their marriage and the strained escort exchange, these moments place their relationship within a social world where public manners coexist with personal distance.