Füsun’s Marriage and Feridun’s Ambition

The Museum of Innocence

This flow traces Feridun’s marriage to Füsun, their film partnership, his relationship with Papatya, and the eventual divorce.

increasing

Bearing strength in each event

decreasing

A Marriage of Consolation A Marriage of Consolation from "The Museum of Innocence". A Marriage of Consolation Feridun offers a future Feridun has loved Füsun since childhood and comforts her after Kemal’s withdrawal.

A Marriage of Consolation from "The Museum of Innocence". A Marriage of Consolation Feridun offers a future Feridun has loved Füsun since childhood and comforts her after Kemal’s withdrawal.

A Marriage of Consolation Feridun offers a future Feridun has loved Füsun since childhood and comforts her after Kemal’s withdrawal. Her family accepts his proposal, seeing marriage as protection from stigma and uncertainty. Unequal expectations Füsun hopes for a life in film, while Feridun hopes to enter the industry through her and their shared ambitions. The marriage begins with goodwill but not a common plan.

The Blue Rain Project The Blue Rain Project from "The Museum of Innocence". The Blue Rain Project An art-film promise Feridun writes Blue Rain, a proposed art film in which Füsun would star.

The Blue Rain Project from "The Museum of Innocence". The Blue Rain Project An art-film promise Feridun writes Blue Rain, a proposed art film in which Füsun would star.

The Blue Rain Project An art-film promise Feridun writes Blue Rain, a proposed art film in which Füsun would star. Kemal finances Lemon Films, allowing the couple to pursue a project that might bring her fame. Delay and compromise Censorship and repeated rewrites stall production. Kemal keeps the plan alive partly to see Füsun, while Feridun struggles to turn his artistic hopes into workable filmmaking.

The Industry’s Risks The Industry’s Risks from "The Museum of Innocence". The Industry’s Risks Fame becomes a danger Füsun receives offers from producers and actors, but Kemal and Feridun discourage her from entering commercial…

The Industry’s Risks from "The Museum of Innocence". The Industry’s Risks Fame becomes a danger Füsun receives offers from producers and actors, but Kemal and Feridun discourage her from entering commercial…

The Industry’s Risks Fame becomes a danger Füsun receives offers from producers and actors, but Kemal and Feridun discourage her from entering commercial films. Their warnings concern real exploitation, yet their protectiveness also limits her choices. A confrontation at dinner At Huzur Restaurant, Tahir Tan challenges the family over Füsun’s opportunities. The confrontation alarms her parents and leads to restrictions on her visits to the film world.

Broken Lives Succeeds Broken Lives Succeeds from "The Museum of Innocence". Broken Lives Succeeds A commercial breakthrough Feridun directs Broken Lives with Papatya after Blue Rain fails to reach production.

Broken Lives Succeeds from "The Museum of Innocence". Broken Lives Succeeds A commercial breakthrough Feridun directs Broken Lives with Papatya after Blue Rain fails to reach production.

Broken Lives Succeeds A commercial breakthrough Feridun directs Broken Lives with Papatya after Blue Rain fails to reach production. The film becomes a box-office success and revives his standing in the film industry. A marriage disintegrates Feridun and Papatya become involved, while Füsun remains at home and Kemal continues to visit. Success in the film world does not repair the marriage or fulfill Füsun’s ambitions.

Separation and Divorce Separation and Divorce from "The Museum of Innocence". Separation and Divorce A failed return Feridun returns to the family home after his relationship with Papatya ends, but Füsun refuses to resume the marriage.

Separation and Divorce from "The Museum of Innocence". Separation and Divorce A failed return Feridun returns to the family home after his relationship with Papatya ends, but Füsun refuses to resume the marriage.

Separation and Divorce A failed return Feridun returns to the family home after his relationship with Papatya ends, but Füsun refuses to resume the marriage. A public argument makes their separation known in the neighborhood. A new possibility Nesibe tells Kemal that the divorce is settled and arranges a meeting between the former lovers. Feridun yields his rights to Lemon Films as their paths separate.

Late 1975

Late 1976–1977

1977–1979

1981–1982

March–April 1984