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“There’s No One Else Like You”

The Museum of Innocence

“There’s No One Else Like You” is one of the songs Tarık Bey sings during a night out at Bebek Maksim Nightclub, where the whole party drinks, joins in the refrains, and smiles at one another. The song’s place in the scene is not a private declaration: it is part of a shared performance whose warmth acquires the shape of a farewell only in Kemal’s hindsight.

The Song in the Gathering

After Müzeyyen Senar comes onstage, everyone at the table sings along. Tarık Bey, rather than Füsun, is the person who most loves Senar’s singing, but Kemal hopes the evening will delight Füsun by letting her see her father drinking and happily harmonizing. Among the renditions is “There’s No One Else Like You,” which enters the memory as one refrain in a night of collective participation.

A Farewell Seen in Retrospect

Looking back years later, Kemal imagines that the evening had the aura of a farewell ceremony. That impression is retrospective: the scene itself is recalled through the party’s singing, exchanged smiles, and Tarık Bey’s evident pleasure. The song consequently carries the tenderness of a moment whose significance becomes clearer only after time has passed.

Its Place in Kemal’s Memory

The evening’s most memorable change for Kemal is not the song but the realization that Feridun’s absence has become ordinary. He reflects happily on the time he has spent alone with Füsun and her parents. The song remains part of this recollection of closeness: a public refrain shared around a table, set against the quieter fact that Kemal has grown accustomed to a different arrangement of company.