American Revolutionary War
The Ownership Wars: Who Owns YouThe American Revolutionary War is invoked as the historical source of a language of uncompromising liberty, but the book treats that language as politically contested rather than belonging naturally to the modern American right. Its most important appearance comes through the motto “Live Free or Die,” which the text uses to expose a reversal: a phrase associated with revolutionary independence is presented as having originated in a radically different political tradition from the one that later claimed it.
Historical Reference and Motto
The book identifies “Live Free or Die” as the official motto of the U.S. state of New Hampshire, adopted in 1945. It describes the phrase as unusually famous because it expresses an assertive ideal of independence associated with American political philosophy, while contrasting with the milder wording of other state mottos. The motto is connected specifically to General John Stark, described as New Hampshire’s most famous soldier of the American Revolutionary War. On July 31, 1809, poor health prevented Stark from attending an anniversary reunion of the Battle of Bennington, so he sent his toast by letter: “Live free or die: Death is not the worst of evils.” The text therefore presents the phrase not as an abstract slogan detached from history, but as a transmitted utterance tied to a Revolutionary War figure, a commemorative occasion, and a written act of political remembrance.
Competing Revolutionary Genealogies
The book immediately complicates the American attribution by noting that Stark may not have been the original author. It traces a closely corresponding phrase, “Vivre Libre ou Mourir” (“Live free or die”), to the French Revolution, where politician Antoine Barnave had it engraved on his buttons. The expression consequently acquires a transatlantic revolutionary genealogy rather than a purely American one. The text makes this genealogy polemical. It argues that “Live free or die” was the motto of the ultra-left-wing Jacobins, whom it sets in direct opposition to American right wingers. The irony depends on a clash between inherited political branding and historical origin: a slogan used in contemporary American conservative rhetoric is represented as having revolutionary associations that contradict the politics now claiming it.
From Revolution to Modern Political Allegory
Elsewhere, the book describes the Trump insurgency as “The Confederacy: The Sequel,” framing contemporary far-right conservatism as a return to a racialized and plutocratic order. In that larger argument, the American Revolutionary War functions as a contrasting historical reference point: its language of freedom is separated from the later Confederate and right-wing meanings assigned to minimal government, private power, and unrestricted economic action. The book’s comparison is not a neutral account of the Revolutionary War. It uses revolutionary history as a resource in a present-day ideological struggle, asking who may claim the word “freedom” and what social arrangements that word protects. The motto’s passage from revolutionary conflict to state emblem and then to partisan slogan becomes an example of how historical memory can be detached from its original political setting and redeployed.
Liberty, State Power, and Capitalism
The same framework distinguishes the book’s concept of positive liberty from the right wing’s negative liberty. Abraham Lincoln is presented as the American president most closely identified with positive liberty because he used decisive state action to oppose slavery and defeat the Confederacy. The book calls for a comparable defeat of right-wing ideology as a mental and cultural continuation of the Civil War. Within this argument, the American Revolutionary War’s language of independence is made to stand beside a broader dispute over the legitimate role of the State. The text attacks the Non-aggression principle and voluntaryism for treating government intervention as inherently illegitimate, arguing that such doctrines could leave slavery untouched if slaveholders were not willing to abolish it themselves. It therefore rejects the idea that freedom consists simply in the absence of state interference, insisting instead that coercive public power may be necessary to prevent domination.
Narrative Significance and Reinterpretation
The American Revolutionary War is not narrated as a sequence of battles or as a self-contained plot event. It is recalled through a quotation, a motto, and a disputed origin, then inserted into the book’s larger contrast between revolutionary emancipation and reactionary capitalism. The event’s narrative role is genealogical: it supplies a historical vocabulary whose meaning is subsequently tested against the Confederacy, the modern Republican Party, inherited wealth, and the Ownership Class. That reinterpretation is deliberately aggressive. The book links the modern right to the Confederacy and portrays capitalism as capable of reducing workers to a condition of enslavement, while also arguing that the contemporary United States lacks a genuine left wing. Against that diagnosis, the Revolutionary War survives less as settled national heritage than as an unresolved question about whether liberty means independence from government or collective protection from private power. The event’s remembered significance lies in that contest over inheritance, language, and political legitimacy.