Restoration of the Han Dynasty
The Romance of the Three KingdomsRestoration of the Han Dynasty is the political ideal that gives Xuande’s rise its stated purpose and its moral difficulty. As the Han loses authority to powerful ministers and rival rulers, Xuande claims that his campaigns and eventual kingship serve not personal ambition but the recovery of legitimate government. Yet the ideal repeatedly collides with the means required to secure power: whether to take Liu Zhang’s territory, whether to accept a royal title without the emperor’s authorization, and how to answer Cao Pi’s assumption of the imperial throne.
Meaning and Political Setting
The novel places Han restoration within the collapse of a single empire into three competing kingdoms. Liu Bei, whom the book calls Xuande, Cao Cao, and Sun Quan emerge as leaders who carve separate realms from the failing Han order. The division makes restoration more than a private aspiration: it is a claim about who may rule, what makes rule legitimate, and whether the imperial house can still be defended through force.
Xuande’s claim rests on his descent from the House of Han and his insistence that his public conduct differ from that of ambitious rivals. The ideal is therefore ethical as well as dynastic. His case depends on benevolence, care for ordinary people, and the assertion that he acts to protect the imperial family rather than replace it. But those same principles make expansion difficult: a campaign may be represented as necessary for the Han while still looking like an attack on a fellow member of the imperial family.
The Conquest of Shu and the Test of Benevolence
That conflict becomes concrete when Zhang Song urges Xuande to take Yizhou from Liu Zhang. He presents Liu Zhang as an incapable ruler whose territory faces danger from Zhang Lu, and argues that the people want better government. Zhang Song also contrasts Xuande with Cao Cao, whom he regards as a traitor unable to work with worthy advisers. His proposed transfer of power thus invokes both practical security and the promise of a more legitimate ruler.
Xuande initially refuses to contemplate attacking a kinsman. When Liu Zhang formally requests help against Zhang Lu, Xuande continues to object that taking the land would violate their shared imperial lineage. Pang Tong answers that extraordinary circumstances do not offer a clear conventional path: Xuande could take control and then govern with integrity, while leaving Liu Zhang a subordinate region. In this argument, restoration does not mean simply preserving the existing arrangement. It can require displacing a weak member of the imperial house to prevent another power from taking the territory.
The moral limit is tested at a banquet, where Pang Tong proposes killing Liu Zhang to clear the way into Chengdu. Xuande refuses, saying that neither Heaven nor the people would forgive the murder of his kinsman. Though Pang Tong and Fa Zheng later try to advance the plot through a sword dance, Xuande interrupts it and declares that he and Liu Zhang are friends and need no weapons. He then rebukes Pang Tong for risking his reputation. The episode distinguishes gaining a province through military and political pressure from assassinating its ruler under cover of friendship: Xuande’s pursuit of power is presented as bounded, at least in principle, by a refusal to commit that act.
Liu Zhang eventually opens Chengdu’s gates, moved by concern for further suffering and by an omen interpreted as announcing a new ruler. Xuande enters to public rejoicing and forbids retribution against opponents who had resisted him. He also declines a proposed redistribution of the conquered land among his followers after Zhao Zilong argues that the people have already suffered enough and that restraint will win future support. Laws are revised, oppressive or corrupt local governors are checked, and the region is settled. These measures give the restoration claim a governing dimension: legitimacy is demonstrated not only through lineage or victory, but through the treatment of the population after conquest.
The Kingship of Hanzhong
After Cao Cao retreats from Hanzhong and surrounding places submit to Xuande, his commanders urge him to take the imperial title. Kong Ming argues that Cao Cao has usurped the true ruler’s authority, while Xuande is known for benevolence and has restored peace in the region. In Kong Ming’s account, accepting a title would enable Xuande to act as a genuine blessing and oppose the traitor; refusing, by contrast, risks losing popular support.
Xuande resists because he fears that taking a title without the emperor’s grant will make him appear a rebel. Kong Ming shifts the proposal from emperorship to kingship of Hanzhong, which Xuande accepts only after insisting that the emperor should authorize it. Zhang Fei presses him to claim even more, but Xuande rebukes him. After refusing three times, in keeping with convention, Xuande accepts the kingship in late AD 219. The ritual is carefully staged: he faces south on a specially prepared altar marked with the five directions. He names his son Liu Shan as heir, appoints Guan Yu, Zhang Fei, Zhao Zilong, Ma Chao, and Huang Zhong as the Five Tiger Generals, and makes Wei Yan governor of Hanzhong.
The repeated refusals preserve the appearance of reluctant responsibility rather than eager self-elevation, but they do not remove the political contradiction. Xuande assumes a royal title while the Han emperor remains in place, and his justification rests on a claim that extraordinary disorder has made ordinary conventions inadequate. He then writes to the emperor, presenting his decision as service to the imperial family. His letter traces the crisis back to Dong Zhuo, recalls his earlier efforts to defend the throne and the failed plot with Dong Cheng, and accuses Cao Cao of corrupting the court and usurping the emperor’s authority. Xuande frames his kingship as a way to rally the people and protect the ancestral temple and the nation’s shrine, not as an end in itself.
Restoration and Rival Claims to Legitimacy
The ideal becomes still more contentious when Cao Pi receives the abdication of the Han emperor and establishes the Wei dynasty. The abdication announcement invokes the end of the Han era, Heaven’s signs, the people’s wishes, Cao family virtue, and the precedent of Yao’s abdication. In Chengdu, news of the new dynasty and rumors about the former emperor’s fate distress Xuande. Kong Ming proposes that Xuande be crowned emperor as a descendant of the Han founder, thereby continuing the dynasty’s line. Xuande recoils from the proposal as rebellious and disloyal; Kong Ming replies that Cao Pi has already usurped the throne and that Xuande has a duty to reclaim it.
The competing arguments show how restoration can be claimed from opposing positions. Cao Pi’s accession is presented through an abdication precedent and an appeal to Heaven and popular sentiment, while Xuande’s side treats the same transfer as the usurpation of the Han. Xuande’s earlier reluctance to kill Liu Zhang and take titles without authorization lends weight to his image as a reluctant claimant, but his political program still requires territorial acquisition and an eventual assertion of sovereignty. The ideal’s force lies in this tension: it restrains ambition by requiring a defense of the Han, yet it also supplies the language through which a rival dynasty can be challenged and a new ruler’s authority asserted.
Narrative Function
Restoration of the Han Dynasty links personal virtue to imperial succession and practical rule. Xuande’s refusals, his restraint toward Liu Zhang, and his concern that land should not be taken from people already suffering present benevolence as a test of political legitimacy. At the same time, the growth of his domain and his acceptance of the kingship of Hanzhong show that good intentions alone cannot restore the old order: power must be organized, titles assumed, and territory governed.
The ideal is never simply a return to an uncontested past. The Han court has lost effective authority, rival regimes invoke their own grounds for rule, and the appeal to Heaven can support both abdication and resistance to abdication. The story therefore treats restoration as an enduring political claim whose credibility depends on conduct as well as ancestry—and whose pursuit risks reproducing the very struggle for power it is meant to resolve.