Creation process
The SecretCreative Process is the practical sequence through which The Secret presents desire as a form of creation. Its decisive significance lies in turning the law of attraction into three linked movements—ask, believe, and receive—so that a person first clarifies a wish, then sustains confidence in it, and finally cultivates the emotional state associated with having it. The method is framed not as a one-time miracle but as a disciplined way of directing thought and feeling toward the life one wants.
Definition and Origins
Creative Process is identified as an easy guideline for creating what a person wants in three simple steps. The book says that the process used in The Secret was taken from the New Testament in the Bible, giving the method a scriptural lineage while presenting it in accessible, instructional form. Its compact structure also makes it easy to remember and repeat: the person asks, believes, and receives.
The concept is introduced through the image of Aladdin and the Genie. The Genie represents the law of attraction and is described as always present, always listening to what a person thinks, speaks, and acts upon. In this account, the Genie treats whatever receives those forms of attention as something wanted, then begins to leverage the Universe through people, circumstances, and events to fulfill the command. The imaginative story therefore supplies a model for the process: thought and expression become commands, while the Universe becomes the medium through which the desired result is arranged.
Asking: Clarifying Desire
The first step is ask. Asking is described as making a command to the Universe and letting the Universe know what is wanted; the Universe responds to thoughts. The emphasis falls less on repeated pleading than on precision. The person must become clear about the object of desire, because clarity itself constitutes the act of asking.
The process is compared to placing an order. A person orders something once rather than repeatedly placing the order because of doubt that it has been received. The same principle governs Creative Process: once the desire is clear in the mind, the asking has taken place. This comparison gives the first step a definite boundary. Asking is not anxious repetition but the mental act of deciding what is wanted and expressing that decision to the Universe.
Believing: Sustaining Certainty
The second step is believe. The instruction is to believe that the desired thing is already owned and to maintain what the book calls unwavering faith. Belief therefore occupies the difficult middle position between intention and fulfillment. The person has asked, but the visible result may not yet have arrived; the required response is not to cancel the request through doubt but to continue treating it as real and forthcoming.
The book presents doubt as a feeling that can be shifted. Instead of remaining in uncertainty, the practitioner is told to replace that state with unwavering faith and the conviction, “I know that it’s on its way.” Belief thus operates as an emotional discipline as much as an intellectual opinion. Its function is to preserve continuity between the original request and the eventual reception of what has been requested.
Receiving: Feeling the Arrival
The third and final step is receive. Receiving begins with feeling wonderful about the desired outcome and feeling now the way one will feel once it arrives. The future result is consequently approached through present emotion. Rather than waiting passively for external confirmation, the practitioner rehearses the emotional condition associated with fulfillment.
This final movement completes the sequence established by the first two. Asking identifies the destination; believing maintains faith in its approach; receiving makes the anticipated condition emotionally available in the present. The method therefore treats feeling not as an aftereffect of achievement but as part of the creative mechanism itself.
Practice and Broader Significance
Creative Process is connected to a wider program of intentional living in The Secret. The book’s account of daily gratitude shows how the same logic can be extended beyond a single wish. Every morning, the narrator describes saying “Thank you” repeatedly, beginning when the feet touch the floor and continuing while brushing the teeth, showering, and getting ready. By the time the day begins, gratitude has been expressed hundreds of times, with deliberate attention to the feelings rather than through rote repetition.
That gratitude practice is presented as a way of creating the day. It sets the frequency for the hours ahead and declares how the day is intended to go, instead of allowing the day to take control by default. In this context, Creative Process is not limited to acquiring an isolated object or event. It becomes a recurring pattern for shaping the emotional and attentional conditions of ordinary life.
The book also gives the process a collective and ethical extension. Denis Waitley states that many earlier leaders missed the part of The Secret concerned with empowering and sharing with others. Knowledge of the method is therefore not framed solely as private advantage. The hoped-for culmination is that people, through their existence and the power of their thoughts, will bring the greatest good to the world and to the future of humankind. Creative Process consequently joins personal desire to a larger promise of freedom, empowerment, and social benefit, although its primary operating vocabulary remains the intimate sequence of asking, believing, and receiving.


