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The Dignity of Death

The Shape of Water

Contrasting deaths force Montalbano to question whether dignity belongs to the dead, to survivors, or to the stories told about them.

increasingupBearing stren­gth in each eventdowndecreasing
The Argument About Sacred DeathThe Argument About Sacred Death from "The Shape of Water". The Argument About Sacred Death A Philosophical Disagreement Montalbano and Commissioner Burlando debate whether every death is sacred.
The Argument About Sacred Death A Philosophical Disagreement Montalbano and Commissioner Burlando debate whether every death is sacred. Montalbano cannot see sanctity in death itself. A Question Carried Forward The argument returns when the inspector confronts bodies transformed into public scenes.
Luparello’s HumiliationLuparello’s Humiliation from "The Shape of Water". Luparello’s Humiliation Public Exposure The politician’s body is found in a degrading position, far from the polished image he cultivated.
Luparello’s Humiliation Public Exposure The politician’s body is found in a degrading position, far from the polished image he cultivated. Competing Duties Protecting his reputation may be compassion, but it may also protect the political structure around him.
A Widow Refuses the PerformanceA Widow Refuses the Performance from "The Shape of Water". A Widow Refuses the Performance Staged Fainting Mrs. Luparello pretends to faint rather than endure the ceremony’s hypocrisy.
A Widow Refuses the Performance Staged Fainting Mrs. Luparello pretends to faint rather than endure the ceremony’s hypocrisy. Clear-Eyed Mourning Her refusal separates private judgment from the dignified public image imposed on the deceased.
The Continos’ Quiet RoomThe Continos’ Quiet Room from "The Shape of Water". The Continos’ Quiet Room Domestic Order After Contino kills his wife and himself, the apartment remains clean and orderly.
The Continos’ Quiet Room Domestic Order After Contino kills his wife and himself, the apartment remains clean and orderly. A rosary rests in the dead woman’s hands. A Different Response Montalbano feels that this death has a solemnity absent from Luparello’s staged exposure.
The Dead Man’s MemoryThe Dead Man’s Memory from "The Shape of Water". The Dead Man’s Memory A Final Concealment Montalbano sinks the neck brace, protecting Giorgio’s role and the intimate truth of Luparello’s death.
The Dead Man’s Memory A Final Concealment Montalbano sinks the neck brace, protecting Giorgio’s role and the intimate truth of Luparello’s death. Uneasy Reverence His mercy preserves one form of dignity by withholding another kind of justice.
Ten days before Luparello’s death
At the first examination
At the funeral
The day of the murder-suicide
After Giorgio’s fatal crash