Scribner
The Short and Tragic Life of Robert PeaceScribner is the publishing organization associated with the electronic edition of the book. Its presence is established at the opening of the digital text, which identifies the work as a Scribner eBook and directs readers toward Scribner’s newsletter and related material from Simon & Schuster. Within the supplied narrative evidence, Scribner functions as the book’s publication and distribution framework rather than as a setting, employer, legal institution, school, or participant in Robert DeShaun Peace’s story.
Publication and Distribution
Scribner’s role is visible before the narrative proper begins. The eBook front matter thanks readers for downloading a Scribner eBook and invites them to sign up for news about special offers, bonus content, new releases, and other electronic books. The notice also directs readers to an online registration site associated with Simon & Schuster, placing Scribner within a larger commercial publishing network.
This framing distinguishes the organization from the social institutions that shape the book’s subjects. The evidence does not present Scribner as involved in Robert DeShaun Peace’s education, teaching career, family relationships, legal campaign for Skeet Douglas, or drug-related work. Its documented function is instead to package and circulate the finished account to an electronic readership.
Position in the Book’s Documentary Frame
The publishing notice creates a threshold between the reader and the densely documented world that follows. The narrative moves among Newark, Yale, prison visits, medical decline, and family crisis, while Scribner remains outside those events as the named institutional vehicle for their presentation. The contrast is important: the front matter belongs to the orderly, standardized system of digital distribution, whereas the story itself records lives shaped by unstable work, incarceration, illness, violence, and unequal access to institutional power.
The supplied evidence also includes the dedication to Robert DeShaun Peace and Jacqueline Peace immediately after the electronic-book material. That placement gives the publication apparatus a clear editorial boundary: Scribner identifies the edition, and the dedication turns from the commercial object toward the people to whom the book is dedicated. No further internal structure, editorial policy, or publishing decision is attributed to Scribner in the evidence.
Limits of the Evidence
Scribner should therefore be understood narrowly in this entry. The evidence supports its identification as the publisher of the eBook and as a channel connected with Simon & Schuster’s reader outreach. It does not support claims about the organization’s editorial process, the acquisition of the manuscript, contractual arrangements, marketing campaign, or response to the events described in the book.
Its significance is consequently paratextual rather than biographical. Scribner is the institutional name at the edge of the narrative, the publisher through which the account becomes an electronic book and enters public circulation. The human drama belongs to Robert DeShaun Peace, Jackie Peace, Skeet Douglas, and the wider network of family, school, prison, medical, and neighborhood institutions; Scribner supplies the documented publication form in which that drama is encountered by readers.