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Broadway

The Sun is Also a Star

Broadway is presented less as a visited place than as the emblem of Samuel Kingsley’s hoped-for acting career. It gives shape to the future he once imagined for himself and Natasha Kingsley, and to the distance that later grows between that promise and the family’s material circumstances.

The Broadway Dream

When Natasha and Samuel were close, they belonged, in her recollection, to the family’s side of the dreamers. Samuel rehearsed audition lines with her as his audience and described a future in which he would become a famous Broadway actor. He promised that, once he had made it, he would secure the best parts for little girls for Natasha. Broadway thus appears through an intimate father-daughter ritual: an ambitious future rehearsed at home and offered to a child as part of their shared life.

The dream was not merely a career aspiration. Natasha listened to Samuel’s stories about the life they would have after his success, and continued listening even after Patricia Kingsley and Natasha’s brother had stopped. The imagined stage career gave the father-daughter bond a common horizon, setting their faith in what might happen against the skepticism of the rest of the family.

Family Pressures and a Fading Promise

The narrative marks a change in Natasha and Samuel’s closeness when she was thirteen, about four years before the recollection. Patricia was tired of raising the family in a one-bedroom apartment while friends in Jamaica had houses of their own. She was also tired of Samuel earning essentially the same pay at the same job and of hearing what might happen when his ship came in. She did not voice these complaints to Samuel; she shared them with Natasha instead. The practical dissatisfaction surrounding the household therefore reached Natasha alongside the older, more hopeful stories about Broadway.

This contrast does not establish that Samuel abandoned acting or that his hoped-for career ended. Rather, Broadway remains the promised future against which the family’s present difficulties become visible: the cramped apartment, the unchanged job, and the increasingly divergent outlooks of those Natasha remembers as dreamers and non-dreamers. The gap between aspiration and circumstance gives the Broadway reference its emotional weight without turning the dream into a realized event.

Meaning in Natasha’s Recollection

Broadway’s significance rests on the way Natasha remembers being included in Samuel’s imagined success. His promise was specific—parts for little girls, and a place for her in the life he expected to build—but remained conditional on his becoming famous. The theatrical future was therefore both a sign of his affection and a hope whose fulfillment depended on an uncertain breakthrough.

In the larger account of Natasha’s adolescence, that remembered ambition sits beside her own urgent plans for education and the threat of deportation. She has begun preparing an application to Brooklyn College and considers financial aid, scholarships, and in-state schools, while fearing that she may have to leave the United States. These pressures do not directly resolve Samuel’s Broadway aspiration; instead, they sharpen the contrast between imagined futures and the demands imposed by the family’s circumstances. Broadway remains a remembered promise—once shared, later shadowed by the distance between what Samuel hoped for and what the family needed.

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