Daniel saves Natasha from being nearly hit by a car
The Sun is Also a StarDaniel Jae Ho Bae saves Natasha Kingsley from being nearly hit by a car in a crosswalk, an abrupt rescue that brings the two strangers into contact and begins their consequential encounter. The moment turns on a choice made before there is time for introduction: Daniel sees the danger and pulls Natasha out of its path.
The Near Collision
Natasha is waiting at a crosswalk with her hot-pink headphones on, swaying to her music. Daniel, walking the same way, realizes she has stepped off the curb without noticing a white BMW about to run the red light. He is close enough to grab her arm and yank her backward. Their feet tangle, and they fall onto the sidewalk, with Natasha landing partly on top of him.
A few people ask whether they are all right, while most hurry around them. The driver has pulled over on the next block. Daniel wants to confront him but stays with Natasha rather than leave her alone. The immediate danger has passed, but the fall has damaged her phone and her headphones: the phone screen is cracked, and one ear pad hangs from the headphones by its wires.
After the Rescue
Natasha first protests over the damage, cradling her headphones. Daniel asks if she is all right, then repeats the question when her attention remains on the broken item. She tells him that the driver nearly killed her. When Daniel minimizes the danger with a joke about her perhaps being maimed, the attempt does not make her laugh; her eyes fill with tears, and she says she is having the worst day.
Natasha then recognizes the scale of what Daniel has done, telling him that he has already saved her life. Her words give the rescue a direct acknowledgment: amid the immediate concern over damaged belongings, the near collision is named for what it was, a threat to her life. The exchange also shows the emotional strain she brings to this first encounter, though the scene does not yet explain the rest of her bad day.
Significance in Their First Encounter
The rescue makes Daniel and Natasha's meeting physical before it becomes personal. He knows her first as a stranger whose attention is fixed on music and whose safety is suddenly at risk; she knows him as the person who pulls her back and stays beside her afterward. The damaged phone and headphones remain concrete consequences of the fall, even as Natasha's acknowledgment places the greater consequence beyond the broken objects.
The scene's turn is from ordinary movement through New York City to immediate danger, and then to an exchange in which Natasha recognizes Daniel's intervention. His decision to remain with her instead of pursuing the driver keeps the focus on the person he has rescued. Their encounter begins not with a planned introduction but with danger, a fall, and her recognition that he has saved her.