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Donald Christiansen hits Jeremy Fitzgerald with his car

The Sun is Also a Star

Donald Christiansen hits Jeremy Fitzgerald while driving drunk and distraught, an accident that sends Jeremy to the hospital but does not kill him. Its consequences reach beyond the collision: Jeremy recognizes that he loves Hannah Winter, while Natasha Kingsley learns that the attorney she urgently needs is unavailable. The event joins Donald’s unresolved grief to the immediate pressures of Natasha’s deportation and becomes a turning point in Jeremy’s understanding of his own life.

Background and Circumstances

Donald’s response to loss is shaped by his former work in insurance, where he dealt in the financial valuation of unexpected harms, including deaths in accidents and disasters. After his daughter was killed by a driver who was texting, he initially thought about the compensation her driver’s insurance might pay. The habit of assigning prices to loss offers no protection from it: Donald knows the calculations, but they cannot measure what his daughter’s death has taken from him.

Two years later, his grief remains overwhelming. It has cost him his marriage, his smile, his ability to eat and sleep enough, and his capacity to feel as he once did. It has also cost him his sobriety. Earlier that day, while driving, he nearly hit Natasha Kingsley, who was distracted in the road. That near collision establishes the danger of his impaired driving before he hits Jeremy; Donald’s grief is not merely an inward wound but a condition with consequences for other people.

The Collision

Jeremy Fitzgerald is crossing the street when Donald, driving a white BMW at twenty miles per hour, hits him. Donald is described as both drunk and distraught. The impact is not fatal, but it is serious enough that Jeremy is taken to the hospital and considers his eventual death alongside the life he is living. The account gives no extended depiction of the physical injury; its emphasis falls on the abrupt interruption and the recognition that follows.

For Donald, the accident belongs to a pattern in which a single moment can alter the futures people expected to have. He is unsure what meaning, if any, can be drawn from losing his daughter, but he understands that no monetary figure can price the experience of losing everything. His own actions now place another person in danger. The collision thus brings his professional history into bitter contrast with his present: the former actuary who once calculated the costs of accidents has become the drunk driver responsible for one.

Immediate Consequences

The collision takes Jeremy away from the Fitzgerald law office at a moment when Natasha Kingsley is seeking help. She is facing deportation that night and has come hoping that Jeremy can assist her. While she waits, a member of the office tells her that he was in a car accident about an hour earlier and remains in the hospital. His wife has reported that he is fine, with only a few bruises, but he will not return until late that afternoon. Natasha protests that her appointment is happening now and that she needs his help; the news leaves her without the meeting she urgently sought.

The accident therefore links two forms of uncertainty without making them equivalent. Jeremy’s injury is limited, and his wife expects him to recover, but his absence has immediate practical consequences for Natasha, whose immigration situation is urgent. The interruption is especially stark because it is not the result of a decision by Jeremy to refuse her help: he is in the hospital after being struck. Donald’s impaired driving has consequences both for the person he hits and for someone waiting on that person’s assistance.

Jeremy’s Recognition and the Event’s Role

The account presents the collision as a catalyst in Jeremy’s private life as well as a disruption to his work. In the wake of being hit, he admits to himself that he has been in love with his paralegal, Hannah Winter, for some time. Before this day, Hannah had not believed that Jeremy would return her feelings; the narration identifies the day of the accident as the day that changes that understanding. Later, when Jeremy returns to the office, he takes Hannah into his arms without speaking. He briefly considers what loving her may cost him in the future.

The sequence turns an event that could have remained a workplace interruption into a point of recognition. The collision does not resolve the pressures surrounding the characters: Natasha still needs legal help, and Donald’s grief remains unhealed. But Jeremy’s brush with possible death changes his attention from an imagined future cost to a love he has not acknowledged. The narrative shifts from Natasha’s first-person account to a third-person view of Donald and Jeremy, then returns to Natasha’s predicament, allowing one accident to register at once as personal danger, a romantic turning point, and an obstacle in another character’s effort to stay in the country.