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Sugar learns to swim after her mother lets go

Tiny Beautiful Things: Advice on Love and Life from Dear Sugar

Sugar learns to swim at three in a moment that turns maternal protection into an act of release. After weeks of refusing to leave the pool wall, she discovers that the flotation bubble works and that she can move through the water without clinging to her mother. Recalled forty years later, the experience also supplies Sugar with a practical metaphor: sometimes a person must be let go so they can find out what they can do.

The Pool and the Bubble

One of Sugar’s earliest and most vivid memories begins in a swimming class at the local YMCA. On the first day, each three-year-old received a flotation device the children called a bubble. It buckled around the shoulders and waist, with a football-sized float pressed against the back. Cheryl Strayed’s mother repeatedly assured Sugar that it would keep her afloat, but reassurance did not overcome the child’s certainty that letting go of the wall meant drowning.

Week after week, Sugar stayed at the side of the pool while her classmates kicked their way through the water. Her mother pointed them out as evidence that the bubble could be trusted, but Sugar remained unconvinced. The distance between what the flotation device was meant to do and what Sugar could bring herself to believe gives the memory its initial tension: safety is present, but it has not yet become something she can experience for herself.

The Moment of Release

On the final day of class, parents were expected to swim with their children. Cheryl Strayed’s mother sat beside Sugar in her swimsuit, and they dangled their feet in the water while watching the other children demonstrate what they had learned. Near the time to leave, her mother proposed that they go into the water together and promised to hold her. Sugar agreed because entering the pool while clinging to her mother was familiar; they had often played together that way, with her mother gently splashing her or bobbing her until she laughed.

Once they reached the middle of the pool, her mother changed the terms of that familiar security. She held only Sugar’s hands and dragged her through the water while Sugar repeatedly begged her not to let go. Her mother repeatedly promised that she would not. Then, in a sudden burst of power, she swirled Sugar around and flung her away. The action is a sharp reversal: the child experiences it first as the withdrawal of the person she depends on, not as proof that she is ready. Yet the bubble remains in place, and Sugar begins to glide through the water without her mother holding her.

Fear, Discovery, and Repetition

Sugar remembers the change as physical as well as intellectual. The shock of what felt like betrayal gives way to terror at being on her own, then to delight in the sensation of swimming. Her mother’s repeated assurance proves true in the most immediate way: the bubble holds her up. The memory does not erase the fear that came before the release; instead, it preserves the succession of sensations through which fear becomes a new understanding of what Sugar can do.

Once she discovers that she can swim, Sugar does not want to leave the pool. She circles her mother, and both laugh with joy and surprise at the discovery. Sugar swims from one side of the pool to the other, a distance that seems impossibly far to her, then looks back toward her mother and announces that she has reached the other side. Her mother smiles and acknowledges the achievement. Sugar swims back and repeats the crossing. The repeated journey makes the new independence concrete: she can move away, reach the far side, and return by choice.

A Memory Put to Use

Writing to Crowded, a mother whose two adult sons have moved into her home, Sugar turns this childhood memory into advice. She compares the sons’ dependence to her own former clinging at the pool and urges their mother to tell them they must move out. In Sugar’s account, the sons are adults, are not ill or in crisis, and are capable of providing for themselves; she therefore treats separation not as abandonment but as an opportunity for them to discover their capacity.

The analogy also changes the emphasis of the swimming memory. Sugar does not present release as a painless or carefully negotiated experience: she remembers the shock and her repeated pleas before she remembers the pleasure of swimming. But the account’s ending is not estrangement. The child crosses the pool, looks back, receives her mother’s recognition, and returns to do it again. Sugar uses that pattern to argue that closeness need not mean remaining physically or practically attached at every moment. Letting go can make room for self-reliance while leaving the relationship—and the possibility of return—intact.

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