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Women’s aging, appearance, and social value

What Are You Going Through

Women’s aging, appearance, and social value are linked in the book through two women’s accounts of what happens when the attention attached to beauty fades. A middle-aged gym-goer measures her changing body against the admired figure she once had; an older woman describes losing not only her looks but the admiration, confidence, and social ease that came with them. Together, their stories make aging a bodily experience and a change in how women are seen, treated, and able to understand themselves.

Beauty as Social Attention

The older woman frames appearance as a force that helps determine who a woman is understood to be and how others treat her. When she was beautiful, she received admiration from acquaintances and strangers alike: people remembered her, wanted her around, offered compliments, and seemed eager to give and do things for her. That attention became familiar enough to feel ordinary. Its gradual disappearance exposed how much social welcome had been tied to her looks.

The change did not arrive as one dramatic transformation. People stopped turning their heads; new acquaintances did not always remember her face. Her old life of being readily noticed gave way to what she describes as a strange new existence as an ordinary, undesirable person with a common, forgettable face. The contrast is not simply between beauty and age. It is between being made conspicuous by others’ admiration and finding that one has become easy to overlook.

Her account also unsettles the idea that unwanted attention is an uncomplicated privilege. She understands younger women’s frustration with leering and catcalls because she once experienced that attention as coarse and intrusive. Yet she doubts that anyone would greet its disappearance with pure relief. Her comparison with menopause makes the loss ambivalent: an unwanted bodily burden can end, while its ending still marks the loss of a former condition and identity.

The Gym-Goer’s Changing Body

The woman at the gym was strikingly pretty when young, with vivid features that seemed dramatic even without makeup. She also had a body that would have been considered excellent without the effort she put into working out. By middle age, she remains toned but is overweight; her features have blurred, and the dazzle the narrator remembers is gone. The change is described as neither drastic nor unusual, but the woman experiences it with acute grievance.

In the locker room, mirrors and bright lights intensify her sense of exposure. The narrator agrees that the lights are harsh but does not share the woman’s distress at the mirrors, a small difference that reveals how differently they inhabit the same space. For the gym-goer, a mirror is not neutral equipment: it makes the body she is struggling to accept repeatedly visible.

She exercises every day and watches what she eats, yet says she must eat less each year merely to avoid gaining more weight. She has reduced her portions to half of what she used to eat and imagines that, at this rate, she will soon be living on a carrot and a hard-boiled egg. Hunger is not an abstract inconvenience in her account: an empty stomach feels as if a rat is trying to gnaw its way out, and at night it can keep her awake. She knows the wish she confesses sounds disturbing, but when her sister had cancer and lost thirty pounds, she found herself wishing that the same thing would happen to her. Her sister recovered; the woman’s comparison reveals how relentless dissatisfaction with her own body has become, not that she wants her sister to remain ill.

Shame in Everyday Life

Clothes shopping, once a source of pleasure, has become a punishment. When she needs trousers or a dress, she may try on a hundred things before finding something that fits. The repeated mirror checks turn a practical errand into an encounter with the body she believes she has lost. As she recounts the experience, she grits her teeth, remembering not only the fun of dressing but the exhilaration she once felt in admiring her own figure.

Her distress also governs where she will go and what she will wear. She dislikes how she looks from behind and avoids clothes that do not cover her buttocks. Beach outings, swimming, and tanning, once enjoyable, have become impossible to imagine: she will not appear in public in a swimsuit or even wear shorts, however hot it is. She recognizes that she looks better than many women her age, but that comparison offers little relief. She cannot understand how other women can expose their bodies without shame, and seeing women whose thighs or stomachs do not meet conventional ideals makes her turn away. Even the hypothetical return to thinness would not restore her willingness to be seen in public in a swimsuit. The restriction has outlasted the body change she attributes to it.

Age, Marriage, and Loss

For the older woman, fading beauty changes social life as well as self-perception. She recalls becoming shy and socially awkward after having previously been accustomed to attracting admiration without having to work for it. A remark she overheard from her son’s friend, who called her weird, helped precipitate a crisis; she never learned exactly what the girl meant. Around that time she began to withdraw socially. She continued working and caring for her family, but did less socializing, stopped wearing makeup, and stopped coloring her gray hair. The account does not make the remark the sole cause of her withdrawal; it shows how an uncertain judgment could land with force amid a larger loss of confidence.

She also felt guilty, as if growing older and losing her looks disappointed other people. Her husband never said directly that her appearance disappointed him, but she believed he did not conceal it. When he began cheating, she understood his use of her failure to make herself look younger as a justification. She knew that her looks had helped attract him and had been part of what he loved. His departure for a younger woman who resembled her earlier self made the replacement painfully visible. Friends tried to console her by promising she would find a man who loved her for herself, but she never did.

Work, Judgment, and the Lost Self

The gym-goer’s memories of trying to become a painter reveal another consequence of being valued for appearance: it can make recognition difficult to trust. As a young art student, she received encouragement from male teachers who also pursued her. She could not tell whether their praise answered to her work or to her attractiveness. Her female teacher was less impressed, but one of the men encouraged her to dismiss that judgment as jealousy. With competing signals filtered through sexual attention, she lost confidence in her own ability to judge what was sincere and what was flattery. Looking back, she believes those men left her unable to tell what was real. Her story does not establish that she would have succeeded as an artist; it shows how a gendered imbalance of attention and authority clouded her judgment of her own work.

The older woman gives this loss its starkest expression: she feels as though she died years ago and has been a ghost ever since, mourning the self she used to be. Love for her children and grandchildren does not, in her account, erase that grief. The image of the ghost joins the two women’s experiences without making them identical. One describes the daily discipline and concealment through which she tries to manage a changing body; the other describes an identity and social world that seemed to vanish with the attention attached to beauty. Their accounts give aging its force not as a universal decline, but as an uneven encounter between bodily change and a culture that makes women’s appearance consequential to how they are noticed, desired, and valued.