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Marcel’s confinement of Albertine

Being and Nothingness

Marcel’s confinement of Albertine is Sartre’s decisive example of the gap between controlling a beloved’s circumstances and possessing her consciousness. Marcel can keep Albertine at home, see her at any hour, and make her economically dependent on him, yet her freedom continues to escape him; the episode shows why love seeks not mere physical possession but the beloved’s freely given attachment.

The Arrangement and Its Limits

Sartre invokes the relationship described by Marcel Proust: Marcel installs Albertine in his home, where he can see and possess her whenever he wishes, and makes her completely dependent on him economically. By the ordinary measure of ownership, these arrangements appear to give Marcel security. Instead, he remains continually gnawed by anxiety. Albertine’s presence beside him does not eliminate the distance between them, because her consciousness is not something he can hold in the way he holds a possession.

The Escape of Consciousness

Albertine escapes Marcel through her consciousness even when she is physically at his side. Sartre marks one narrow exception: Marcel knows relief only when he gazes at her while she sleeps. The contrast clarifies the problem. Her sleeping body can be watched, but the reassurance lasts only where her active consciousness is absent; waking presence cannot make her freedom his own. Confinement therefore intensifies the difference between bodily proximity and access to another person as a subject.

What Love Seeks

Sartre uses the episode to argue that the lover seeks to capture a consciousness, not simply to secure physical access. Ownership is not the primary aim: the lover wants to appropriate the Other because the Other’s freedom helps constitute the lover’s own being. Yet the kind of appropriation at stake cannot be reduced to domination. The lover does not want the beloved enslaved or transformed into an automaton; a passion produced mechanically would cheapen both the beloved’s love and the lover’s being. The total enslavement of the beloved would defeat its own purpose, leaving the lover alone with something that no longer offers a free response.

The Contradiction of Confinement

Marcel’s arrangement makes visible the contradiction at the center of Sartre’s account of love. The lover wants a freedom that remains free, while also wanting to secure it and make it answer to his own. Albertine’s enforced proximity and economic dependence cannot resolve that contradiction, because control of her circumstances is not control of her consciousness. The episode thus distinguishes possession of a person as a thing from the more demanding—and unstable—desire to possess a freedom as freedom.