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Suspected Parasite Infestation After Eating Crab

Blind Willow, Sleeping Woman

Suspected Parasite Infestation After Eating Crab is the young man’s abrupt discovery, during a final night in Singapore, of what appear to be millions of tiny worms clinging to the crabmeat he has vomited. The story never establishes whether the worms are parasites or whether his girlfriend is infected. Its decisive consequence is instead the rupture produced by seeing them: the shared meal that had made their holiday feel like paradise becomes a threat neither can discuss, and the young man believes that neither his relationship nor his former self can be restored.

Background: A Holiday Organized Around Crab

For three days, the young man and his girlfriend return each evening to a little restaurant on a back street, trying different crab dishes after mornings spent swimming and sunbathing. They are visiting from Tokyo, where the woman teaches English at a private girls’ junior high school and the man works as an auditor at a large bank. Their vacation is a rare chance to travel at the same time and find somewhere they will not be bothered. They avoid subjects that might disturb their time together, letting the repeated sequence of beach, restaurant, lovemaking, and sleep sustain the feeling of being apart from ordinary life.

On the fourth and final day, they again eat crab. As they extract meat from the legs with metal utensils, they talk about how Tokyo has begun to seem unreal and far away. The conversation stays with the present; now and then silence falls, but the cold beer and hot crab fill the pauses without discomfort. After returning to their hotel, they make love, shower, and fall asleep. The meal is not presented as a deliberate risk, but its repetition matters: the young man later measures his consumption as two or three years’ worth of crab compressed into four days.

The Discovery in the Bathroom

After a short sleep, the young man wakes feeling awful, with a sensation he likens to having swallowed a hard cloud. He rushes to the bathroom and vomits into the toilet without turning on the light. Moonlight over the sea gives him enough visibility to make out the white crabmeat. He first accounts for the volume in ordinary terms: they have eaten an extraordinary amount of crab, and perhaps that alone explains his sickness. His first response is to wait, not to interpret the episode as something more ominous.

Then he notices that the mass appears to move. He closes his eyes, breathes, and looks again, suspecting that the moonlight is playing tricks; passing clouds briefly dim the room. But the surface continues to ripple. When he switches on the bathroom light and leans closer, he sees countless tiny worms, the same color as the crabmeat, clinging to it. The shift from uncertain impression to brightly lit sight turns nausea into horror. The story offers no medical examination or later explanation, leaving the alleged infestation as an experience the young man sees and believes rather than a diagnosis confirmed by anyone else.

Bodily Reaction and the Sleeping Girlfriend

He vomits again, although his stomach is already empty. His body continues to convulse, producing bitter green bile; he then gulps mouthwash and brings that up too. He flushes the toilet repeatedly, scrubs his mouth with a fresh white towel, brushes his teeth thoroughly, and grips the sink while studying his reflection. His face seems gaunt and wrinkled, his skin like dirt; he sees an exhausted old man where he expects his own face. The discovery is registered not as abstract fear but through a body that has been emptied, strained, and made unfamiliar to him.

When he leaves the bathroom, his girlfriend remains asleep. Her face is sunk into the pillow, and she is unaware of what has happened. The story fixes the quiet scene in precise details: her long hair lies across her cheeks and shoulders, two small moles sit below her shoulder blades, and a swimsuit line marks her back. Moonlight comes through the blinds; the waves continue their steady sound, and the alarm clock glows green. The room appears unchanged, but the young man now imagines the same worms inside her because they ate from the same dishes. He considers waking her and telling her, then decides against it. She has noticed nothing, and he cannot see what telling her would accomplish.

The Rupture and Its Consequences

Unable to sleep, he sits in a rattan chair by the window and tries to breathe slowly and regularly, drawing fresh air into his lungs and letting the stale air out. His heart beats hard and dry. He pictures the worms in his girlfriend’s stomach, while she remains still in bed. The bodily panic does not pass into a shared conversation or a practical response; it stays with him, alone, beside the sleeping person whose unawareness becomes part of the problem.

He feels that the world has shifted onto a new orbit and cannot return to its former course. He plans to go back to Tokyo the next day, but doubts he can ever again feel toward his girlfriend as he did the day before. The rupture extends beyond the relationship: he doubts that he will be able to get along with himself either. He imagines that they have fallen from a high fence onto the outside, silently and without pain, while she has not noticed the fall. The image gives a shape to a separation that leaves no visible mark on the room and no shared knowledge between them.

He remains in the chair until dawn. Squalls strike the window, clouds pass, and the moon reappears; his girlfriend does not wake or even turn over, apart from a few slight movements of her shoulder. He longs to sleep and wake to find everything resolved, but sleep stays out of reach. Recalling the first night at the restaurant, he remembers the two old Chinese men eating silently, the black dog with closed eyes at their feet, and the faded umbrellas at the tables; his girlfriend had tugged at his arm as they passed. What had happened barely three days earlier now seems years away. The night ends without confirmation of the worms’ effect on either person and without reconciliation: the young man returns, in thought, to Tokyo, but the ordinary life he expects to resume has already become unreachable to him.