The Wooden Bust’s Journey
Breakfast at Tiffany'sA carved image resembling Holly travels from an African village to New York, offering uncertain evidence that her restless life may have taken her far beyond the city.
increasing
Bearing strength in each event
decreasing
Yunioshi Returns

A Visitor at Joe Bell’s
News from Abroad
I. Y. Yunioshi visits Joe Bell after returning from Africa. His unexpected appearance prompts Joe to summon the narrator.
The Old Connection
Yunioshi had once lived in the brownstone with Holly and the narrator. His return reconnects the present to an unresolved question about Holly’s whereabouts.
The Carved Face

A Likeness in Wood
Photographs from Tococul
Yunioshi shows photographs of a carved female head with short hair and distinctive features. The narrator recognizes a resemblance to Holly.
Recognition Without Proof
Joe insists that the carving is Holly’s likeness, but it remains an image rather than a confirmed encounter. Its emotional force exceeds what the photographs can establish.
The Village Story

A Sculptor’s Memory
The Woodcarver
Yunioshi says a local man showed him the carving in a remote village. The sculptor’s account describes a young woman who arrived with two sick men and stayed with him.
A Story at a Distance
The episode comes through several languages and intermediaries. Even its uncertain details do not prevent the listeners from picturing Holly in the landscape.
A Disputed Encounter

Joe Believes
The Question of Truth
Joe doubts that Holly would have behaved as the story suggests, while the narrator cannot dismiss the possibility. The account is too vivid to become certain knowledge.
Absence Persists
The report yields no reliable address or proof that the traveler was Holly. The carved face therefore deepens the mystery rather than resolving it.
A Possible African Trace

The Image Remains
Hope from a Carving
Joe considers the photographs the only definite news in years. The likeness offers a fragile possibility that Holly survived and continued to travel.
No Reunion
The narrator leaves with the image of Holly riding away on a horse, not a confirmed account of her life. Her absence remains the story’s final condition.
Years after the narrator leaves the brownstone
During Yunioshi’s visit to the bar
During Yunioshi’s account of Christmas Day 1956
Immediately after the village account
At the end of the conversation at Joe Bell’s bar