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The Second Styles Investigation

Curtain

The return to Styles turns an apparent reunion into a race to understand who is in danger and how a killer can make another person seem responsible.

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Return to StylesReturn to Styles from "Curtain". Return to a Changed House Old memories, new purpose Arthur Hastings returns to Styles, now a shabby guest house, expecting a reunion with Hercule Poirot.
Return to a Changed House Old memories, new purpose Arthur Hastings returns to Styles, now a shabby guest house, expecting a reunion with Hercule Poirot. The familiar place recalls their first investigation and the years that have altered their lives. A concealed assignment Poirot is waiting there, gravely ill but mentally alert. His invitation has not been mere nostalgia: he believes a murderer is among the guests and that another crime is imminent.
Five Unsettling CasesFive Unsettling Cases from "Curtain". A Pattern Without a Pattern Five apparent culprits Poirot gives Hastings summaries of five deaths, each apparently explained by a single suspect: a poisoned…
A Pattern Without a Pattern Five apparent culprits Poirot gives Hastings summaries of five deaths, each apparently explained by a single suspect: a poisoned husband, a morphine overdose, a double shooting, cyanide poisoning, and a tyrant's killing. The hidden presence The crimes differ in motive and circumstance, but one person had some connection to each. Poirot treats that repeated presence as a warning that Styles may become the setting for another carefully obscured crime.
The Unknown VictimThe Unknown Victim from "Curtain". Hunting Without a Victim An incomplete warning Poirot tells Hastings that X is in the house and predicts a murder, but he cannot identify the intended victim.
Hunting Without a Victim An incomplete warning Poirot tells Hastings that X is in the house and predicts a murder, but he cannot identify the intended victim. Without a motive or target, even a direct warning may be useless. Hastings's assignment Poirot asks Hastings to watch the household and notice who might become a convincing apparent killer. The investigation shifts from guessing X's identity to predicting the shape of the next crime.
A Shot in the GardenA Shot in the Garden from "Curtain". The Rifle and the Apparent Accident A volatile scene After Daisy Luttrell humiliates George Luttrell in front of guests, he takes his rifle outside.
The Rifle and the Apparent Accident A volatile scene After Daisy Luttrell humiliates George Luttrell in front of guests, he takes his rifle outside. A shot wounds Daisy as she works among the fruit trees, and the scene initially looks like a mistaken shot at a rabbit. X's method comes into view The incident resembles Poirot's earlier cases: an understandable human grievance could make George look guilty. Poirot encourages Hastings to recognize the pattern, while the household's sympathy for the couple briefly obscures the danger.
The Case ReframedThe Case Reframed from "Curtain". From Public Verdict to Private Investigation A staged conclusion Barbara Franklin dies from poison, and the inquest returns a suicide verdict.
From Public Verdict to Private Investigation A staged conclusion Barbara Franklin dies from poison, and the inquest returns a suicide verdict. Poirot has shaped the evidence so official scrutiny will end, even though he knows the death was murder. The investigation continues He tells Hastings that the public case is closed but their private hunt is not. When Stephen Norton later dies in a locked room and Poirot follows him, the mystery resolves into a revelation of manipulation, disguise, and murder.
At the opening, after Hastings receives Poirot's letter
Early in Hastings's first conversation with Poirot
During the opening days at Styles
After the argument over drinks on the verandah
After Barbara Franklin's inquest