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His Property (A Dark Vampire High School Bully Romance) (Vampire Boy Swords): Prince of Londinium (Dead Sun: Prince of Londinium (A Dark High School Bully Romance) (Vampire Boy Swords) Book 1)

Overview

His Property: Prince of Londinium is credited to Astor Steele and Arabella Kingsley. Retail listings place Prince of Londinium at the opening of the Vampire Boy Swords sequence and connect it with the Court of Londinium books. It is marketed as a dark vampire high-school bully romance, with an additional new-adult romance label. The listings available here do not establish a verified first-publication date, so a precise year cannot responsibly be supplied. Its title brings together the story’s central ideas: possession in an unequal romance, a prince’s claim, and a sword-themed supernatural series identity.

Story and themes

The promotional material presents Clara as the focus of a contest among powerful men. Octavius calls her his property and insists that no rival will take her; Lord Darius Constantine describes a bond that came first and opposes Octavius’s claim. Lord Phraeon imagines himself guiding and protecting Clara when she takes the throne as Empress, while also intending to rule her future. The men invoke destiny, protection, ancient custom, and political authority, but those justifications also reveal how little room Clara is initially granted to define the relationship herself. The copy refers to a Taleian ritual that can bind a pair eternally and hints that Clara’s gifts and place in the succession are not yet fully understood.

A passage associated with Carter adds a temporal complication: he says they must leave the city and get back home to 1987. The available excerpt does not explain the full time-travel situation, so it is best understood as a tantalizing element of the premise rather than a complete plot account. Even from the limited description, the book’s conflicts are clear: possession versus agency, protection versus control, and personal choice versus a supposedly fated bond. Vampire ancestry and ritual turn intimacy into a matter of inherited custom, while the high-school bully-romance framework places emotional coercion within a social hierarchy. Clara’s possible future as Empress makes romantic rivalry inseparable from succession and rule.

Background and place in the series

The book is presented as part of a connected fictional line rather than as an isolated vampire romance. Listings name Knight of Swords, Ace of Swords, and Empress of Swords among the related Vampire Boy Swords titles, and also point readers toward Court of Londinium works including His, Protector, and Owned. This shared-series framing foregrounds recurring titles, bonds, and supernatural customs. The retrieved material gives no account of the authors’ writing process, division of labor, or particular inspiration for the book. Nor does it provide reliable sales figures, a substantial critical record, or evidence of a broad lasting influence. Its documented status is therefore that of a commercially packaged opening installment in a linked dark-romance series. Its distinctive appeal lies in combining vampire aristocracy, ritualized claims of belonging, a contested imperial future, and the uncertainties surrounding Clara’s identity.

About the Author

Astor Steele · Arabella Kingsley

What can be established

His Property: Prince of Londinium is credited to Astor Steele and Arabella Kingsley. The available material does not establish either author’s birth name, birthplace, nationality, childhood, education, or a detailed career chronology. It also does not reliably say whether either name is a pseudonym. Consequently, a biography should not fill these gaps with guesses or transfer details from unrelated people with similar names. No dependable death information is supplied for either writer; their dates of birth and death, and their present circumstances, remain unknown on this evidence.

Arabella Kingsley

A publisher-facing profile describes Kingsley as a writer of daring Daddy Dom erotic romance, often with a thriller element and dominant, dangerous heroes. This is useful evidence of her marketed genre and style, but it is not a record of her origins, education, or formative experiences. Books attributed jointly to Kingsley and Steele include Prince of Londinium and related vampire-school romance titles such as His, Protector, and Owned. Search results also show the two names together on Forbidden Seduction. The retrieved listings do not provide dependable publication dates for these titles, so they cannot support a dated bibliography.

One listing discusses Sara Curran as a prolific author and says that Curran has written under the name Arabella Kingsley. The available material does not sufficiently establish the relationship between the names, however, and it would be unsafe to present Curran’s personal history or claimed career details as a verified biography of Kingsley. In particular, the search snippets do not document Kingsley’s education, residence, family background, or the circumstances in which she began publishing.

Astor Steele and shared reputation

For Steele, the material chiefly confirms authorship credits. His name appears with Kingsley on Prince of Londinium and on listings for related works, including His, Protector, and Owned. The sources provide no reliable personal history, educational record, birthplace, birth or death date, or account of his independent writing career. They also do not explain how the collaborators divide their work.

The most defensible account of the pair’s public profile is therefore a limited one. Their credited books are positioned within commercial dark romance, vampire-school romance, bully romance, and stories of power and possessive relationships. Their series branding links recurring characters and titles with vampire customs, aristocratic ranks, and ritual bonds. The material does not substantiate major awards, sales figures, a broad critical reception, or a lasting influence on the genre. Their documented reputation here rests on these genre and series associations, rather than on a verifiable biographical record or established literary-historical standing. Dates for their major works, their origins and education, and any information about their deaths should remain unspecified unless reliable author biographies become available.

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