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The relationship between Lorenzo Quart and Príamo Ferro

La piel del tambor

Lorenzo Quart and Príamo Ferro’s relationship is an uneasy alliance between an investigator sent by Rome and a parish priest whose conduct has drawn ecclesiastical scrutiny. Quart must report what he learns, yet he comes to recognize in Ferro not merely a subject of inquiry but a fellow priest facing uncertainty alone. Their connection never erases the questions around Ferro; it changes how Quart carries them.

An Investigator and His Subject

When banker Octavio Machuca challenges the apparent slowness of the disciplinary case against Ferro, Archbishop Aquilino Corvo clarifies that Quart has not been sent to Seville to act against the parish priest. His commission is to provide Rome with specialized information. The distinction preserves institutional procedure, but it also places Quart in an ambiguous position: close enough to the case to shape what Rome hears, yet not formally its local prosecutor.

The inquiry therefore begins within competing expectations. Machuca points out that Quart has not assembled sufficient evidence against Ferro. Corvo resists that account, while acknowledging that Quart’s work has not proceeded with the desired diligence. For Quart, the priest is not simply a target to be removed. He must understand the facts and report them, while navigating the Church’s preference for managed procedure and its reluctance to act precipitately.

Recognition in the Observatory

Their relationship becomes more personal in the observatory, where Ferro asks what human lives and struggles mean beneath the stars. His question places the practical business of Quart’s Roman report beside a far larger uncertainty: the apparent indifference of the universe to the Church, the Pope, and the people serving them. Quart feels an instinctive solidarity with the old parish priest. In the clerical world, that solidarity does the work of friendship, though the rules also demand that each remain alone.

Quart wants to approach Ferro and lay a hand on his shoulder, but restrains himself. The gesture he withholds makes the relationship’s limits visible: sympathy is real, yet neither priest can simply step outside his role. Quart answers that astronomy borders on despair. Ferro’s question has not been solved, but it has altered the terms of their exchange, drawing the investigator into the same predicament of uncertainty he is meant to assess from a distance.

Memory, Faith, and Private Battles

The story of Carlota Bruner and Manuel Xaloc helps clarify what Ferro’s parish and its memories mean to the people around it. Carlota, Quart learns, was a distant relative of Macarena Bruner. After Xaloc sailed to America, she wrote to him repeatedly, but her father bribed Seville’s postal officials to intercept their correspondence. Neither lover received the letters; when Xaloc returned, Carlota had lost her reason and could not recognize him.

Macarena describes her own fight as a struggle against time and forgetting, not simply an extension of Ferro’s battle. She means to defend her family’s inheritance, the church Nuestra Señora de las Lágrimas, and Carlota’s memory. Her account places Ferro’s parish within a larger conflict over what survives: a building, a family name, and the stories that give them meaning. Quart’s understanding of Ferro is consequently bound to the community and inherited history gathered around the church, rather than confined to a disciplinary file.

The Limits of Sympathy

When Quart later asks why Ferro is leaving, the older priest wonders whether Quart has discovered Vísperas. Quart says the hacker’s identity is secondary: it might be one person, several, or none of those under suspicion, and identifying it would not change the essential situation. He then summarizes what he will tell Rome. The two deaths were lamentable accidents, consistent with the police account; an old parish priest had been fighting a private war with the support of some parishioners. Without the hacker and the memorandum to the Pope, Quart says, the matter would not have moved beyond the ordinary jurisdiction in Seville.

That account neither simply condemns nor exonerates Ferro. Quart explains that Corvo has already initiated disciplinary proceedings and that his own report will join them; Ferro may face discreet early retirement. The institutional consequence is serious, but Quart presents it without turning his personal sympathy into a promise of rescue. His responsibility is to give Rome an account that recognizes both the contested circumstances and the likely cost to the priest.

A Shared Solitude, Not a Verdict

Quart still has an unresolved question about Ferro’s past. He raises an incident from Ferro’s earlier parish in Aragon involving Francisco Montegrifo, who, according to Ferro’s file, bought an altarpiece from the parish. The question shows that Quart has not allowed their bond to close the investigation: he seeks Ferro’s version before including the matter in his report. Their personal recognition remains answerable to concrete evidence.

The relationship’s culmination is thus not a declaration of innocence or a release from responsibility. Quart asks where Ferro is, and when the police are dealing with a death at the church, advises Gris Marsala to answer further questions with a lawyer’s help. He wants the priest found, the inquiry handled prudently, and the Church to defend Ferro’s innocence unless evidence disproves it—while facilitating secular justice if guilt becomes manifest. His solidarity is a discipline of care under uncertainty: it honors Ferro as a fellow priest without confusing companionship with acquittal.