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Astolat

Le Morte d'Arthur

Astolat, called Gilford in the account, is the setting for a turning point in Sir Launcelot’s tournament story and for the tragic ending of Elaine le Blank, the fair maid of Astolat. Sir Launcelot arrives there in disguise, accepts a red sleeve from Elaine as a token, and rides to Winchester; after the tournament, knowledge of his identity reaches Elaine, while her attachment to him becomes the cause around which the Astolat episode’s final scenes are arranged. The place is thus more than a stop on the road: it brings together concealment, recognition, and a parting that culminates on the Thames.

Setting and Arrival

On the way to a tournament at Winchester, King Arthur’s company lodges at Astolat. Sir Launcelot, who has been wounded by Sir Mador and is not fully recovered, has lagged behind the king’s fellowship. At the queen’s urging, he nevertheless sets out for the tournament, intending to ride against Arthur and his company. His arrival in Astolat places the wounded knight near the court he has left, yet allows him to enter the coming contest without being readily recognized.

Sir Launcelot lodges with Sir Bernard, an old baron of Astolat. He asks for an unfamiliar shield because his own is widely known. Sir Bernard lends him the shield of his eldest son, Sir Tirre, who is unable to ride after being hurt on the day he was knighted; Sir Bernard’s younger son, Sir Lavaine, accompanies Sir Launcelot to the tournament. The borrowed arms provide a practical disguise, while Sir Launcelot withholds his name from his host. Astolat therefore supplies both the household and the equipment through which he can appear at Winchester under another identity.

The Red Sleeve and the Hidden Knight

Sir Bernard’s daughter, Elaine le Blank, watches Sir Launcelot and falls deeply in love with him. She asks him to wear one of her tokens at the tournament. Because he plans to ride disguised, he agrees: the token will not expose him to the knights who recognize his arms. Elaine gives him a scarlet sleeve embroidered with large pearls, and he places it on his helmet. He has not previously worn a lady’s token in a tournament, so the gesture is new for him even as it serves his immediate purpose of concealing his identity.

Before leaving, Sir Launcelot entrusts his own shield to Elaine and asks her to keep it until he returns. This exchange makes concealment visible within Sir Bernard’s household: the unknown knight rides out with Sir Tirre’s shield and Elaine’s sleeve, while his recognizable arms remain in her care. At Winchester, Sir Launcelot and Sir Lavaine perform well, but Sir Launcelot is wounded again. The borrowed shield and the red sleeve together become the clues by which his absence from the familiar company can be understood.

Recognition at Astolat

After the tournament, Sir Gawaine lodges with Sir Bernard at Astolat. He tells Elaine that a knight wearing a red sleeve was among the finest he saw in the field and says the knight unhorsed forty valiant Knights of the Round Table. Elaine answers that this is the man she loves, although she does not know his name or origin. Her certainty about her love stands in sharp contrast to her uncertainty about the person behind the disguise.

Sir Gawaine asks to see the shield Sir Launcelot left in Elaine’s keeping. When Sir Bernard has it brought from her chamber and Gawaine removes its cover, he recognizes Sir Launcelot’s arms. The shield resolves the mystery of the red-sleeved knight: the champion Elaine has watched from afar is Sir Launcelot. Gawaine calls him the most honourable knight in the world and notes that, in the twenty-four years he has known him, Sir Launcelot had never before worn a woman’s token at a tournament. In the Astolat household, then, his disguise is undone not by the sleeve itself but by the familiar shield he left behind.

Elaine’s Death and the Thames

Sir Launcelot’s return to Astolat does not fulfil Elaine’s hope. The narrative presents her sorrow as lasting day and night: for ten days she neither sleeps nor eats nor drinks, and she continues to complain of her love for him. Before her death, she confesses and receives the sacrament. When her spiritual father urges her to put aside her attachment, she maintains that she has loved no one but Sir Launcelot and declares that she has remained a maiden. Her account binds her private grief to her understanding of herself and her faith, without changing the fact that Sir Launcelot does not return her love.

Elaine gives her father, Sir Bernard, precise instructions for what should happen after her death. She asks him to have her brother Sir Tirre write a letter from her dictation; to have the letter bound in her right hand while her body is still warm; and to place her, dressed in her richest clothes, on a bed laid in a chariot. She wants the bed carried to the Thames, then put aboard a barge covered with black samite, with only one trusted man to steer it. Sir Bernard promises that her directions will be followed. After she dies, her father and brother carry out the plan, and the barge is steered toward Westminster.

Narrative Significance

Astolat’s sequence is organized around objects that disclose what their bearers conceal. Sir Launcelot’s unfamiliar shield permits disguise at the tournament, but its return from Elaine’s chamber lets Sir Gawaine identify him. The red sleeve marks a rare public gesture of favour, yet it cannot establish a reciprocal bond; Elaine’s love remains hers alone. When the story turns from the shield and sleeve to the dictated letter, richly clothed bed, and black-covered barge, Astolat’s role changes from a lodging on the way to Winchester into the origin point of a final, carefully directed journey.

The episode also draws the tournament’s public measure of honour against the private consequences of attachment. Sir Gawaine judges Sir Launcelot through his prowess and reputation, while Elaine’s knowledge of him begins with love rather than his name or lineage. The closing passage carries the consequences of that imbalance away from Astolat by water toward Westminster. In the account of Elaine’s death and funeral, Astolat is remembered through the place where the knight was disguised, the shield that revealed him, and the farewell that the departing barge bears onward.