Lal Bahadur Shastri
Midnight's ChildrenLal Bahadur Shastri is presented as the Prime Minister who succeeds Jawaharlal Nehru after Nehru’s death, amid a struggle over the political future of India. He remains a distant public figure rather than a character encountered directly; Saleem’s account places him within a history repeatedly unsettled by mortality, political claims, and uncertainty about what has happened.
Succession after Nehru
When Naseem Aziz arrives in Pakistan in mid-1964, Saleem recalls that Nehru’s death had prompted a bitter contest over succession. Morarji Desai and Jagjivan Ram, whom the narration describes as united against the establishment of a Nehru dynasty, prevented Indira Gandhi from taking the leadership. Shastri became the new Prime Minister, belonging, in Saleem’s account, to a generation of politicians who seemed to resist the passage of time.
That impression is immediately qualified. Saleem calls the apparent preservation of Shastri’s life an illusion: both Nehru and Shastri have proved mortal. The contrast gives the succession its particular weight. A political office passes to a new leader, but neither authority nor public memory can keep its holder outside time.
The disputed account of war
During the crisis that precedes the 1965 war, Shastri appears through competing public statements rather than through a private scene. Saleem asks whether Pakistani troops in civilian clothing crossed the cease-fire line in Kashmir on August 8, infiltrating the Indian sector. In Delhi, Shastri announces “massive infiltration … to subvert the state”; Pakistan’s Foreign Minister, Zulfikar Ali Bhutto, denies Pakistani involvement and describes the uprising as the work of Kashmiris resisting tyranny.
The opposing accounts leave responsibility unsettled in Saleem’s narration. He offers several possible causes, including the continuing anger surrounding the Rann of Kutch and domestic political pressure in Pakistan, before also interpreting the war through his own dream of Kashmir and his sense of personal impurity. These explanations are not presented as a settled historical verdict. Instead, Shastri’s announcement is one voice in a conflict where political leaders name aggression differently and Saleem’s account repeatedly exposes the difficulty of separating fact from interpretation.
Public authority and narrative distance
Shastri appears again through a national address from the ramparts of the Red Fort on Saleem’s eighteenth birthday. The Prime Minister promises that force will meet force and that aggression against India will not succeed. The public declaration stands beside Pakistani broadcasts and appeals that present the conflict from the opposite side, while Saleem reports confusion over whether military movements across the cease-fire line were defensive or aggressive.
This mediated presence is central to Shastri’s role in the story. The reader receives no account of his private motives or experience; instead, Saleem places him among political figures whose public words help shape the meaning of events without resolving their contradictions. Shastri’s brief appearance therefore marks a moment of succession and national resolve, while the narrator’s uncertain, personally entangled history keeps the war’s causes and claims open to dispute.