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Adventure and the Shape of a Life

Nausea

This flow follows Roquentin’s belief in adventure, his discovery that storytelling manufactures its shape, and his eventual search for a different form of creation.

increasingupBearing stren­gth in each eventdowndecreasing
A Traveler’s Self-ImageA Traveler’s Self-Image from "Nausea". A Traveler’s Self-Image A life of movement Antoine Roquentin recalls journeys through distant cities and countries as if they had given his life rare, valuable…
A Traveler’s Self-Image A life of movement Antoine Roquentin recalls journeys through distant cities and countries as if they had given his life rare, valuable moments. He takes pride in having adventures and expects his past to support that self-image. The claim begins to fail When the autodidact asks about his travels, Roquentin finds that the word no longer fits. Events happened to him, but he cannot find the special order he had imagined.
Storytelling Reverses TimeStorytelling Reverses Time from "Nausea". Storytelling Reverses Time Life without beginnings Roquentin sees that lived days arrive without the beginnings and endings that stories give them.
Storytelling Reverses Time Life without beginnings Roquentin sees that lived days arrive without the beginnings and endings that stories give them. Events accumulate without an evident pattern, and the present does not announce what it will later mean. Retelling creates adventure Once events are narrated, their endings seem to have been waiting from the start. The apparent adventure is therefore shaped retrospectively, revealing how storytelling can disguise the disorder of lived experience.
A Novel as a Possible FutureA Novel as a Possible Future from "Nausea". A Novel as a Possible Future Art offers another form Listening again to the record, Roquentin wonders whether a created work might outlast the accidental…
A Novel as a Possible Future Art offers another form Listening again to the record, Roquentin wonders whether a created work might outlast the accidental circumstances of its maker. He does not mistake art for a rescue from existence, but hears a possible way of shaping it. An untested commitment He considers writing a novel rather than restoring a historical life. The idea remains uncertain, yet it gives him a future action not founded on the false promise that life itself is an adventure.
Early in the diary
After the conversation about travel
On the final evening in Bouville