Brianna's unresolved grief over her father Law's death
On the Come UpBrianna’s unresolved grief for her father, Law, moves between treasured objects and the possibility of another death. The crown pendant he wore is at once a surviving piece of his life and a visible reminder of the violence that ended it; when it is taken at gunpoint, Brianna loses more than jewelry. Later, as Aunt Pooh considers pursuing the person who took it, Brianna imagines the aftermath of another killing and recognizes the prospect of losing her aunt as well. Her grief is therefore not a single response to the past, but a continuing fear shaped by what the past may set in motion.
Identity and Background
Law’s death remains central to Brianna’s understanding of her father, though the two children in the family relate to his memory differently. When Jay opens a box of his belongings, Brianna dwells on the fact that these are things he touched and used: objects that might have belonged to his everyday life and that, to her, helped make him himself. The box offers a material connection where ordinary presence is gone. Its contents do not resolve her loss; they give her a way to approach it through what remains.
The crown pendant is the most charged object in the box. A gold rope chain holds a crown set with diamonds spelling Law’s name, and Jay explains that he bought it with his first substantial paycheck and wore it constantly. Brianna’s response to seeing it reflects both its value and its intimacy: it had been part of her father’s daily life, and now it is in her hands. The chain becomes a keepsake with a history, not simply an expensive possession.
Trey’s response makes clear that remembrance is not shared evenly. He argues that Jay should sell the chain to help provide food and shelter, and bitterly says that it is worth more than Law was. Brianna understands that Trey is not merely indifferent to their father’s music; he blames Law for dying over something he believes could have been avoided, and rarely talks about him. Jay rebukes Trey for his words, and he leaves the room. The exchange places Brianna’s attachment beside Trey’s anger: the same death has left one sibling seeking connection through Law’s belongings and another resisting the memory they represent.
Objects and Recurring Reminders
The chain follows Brianna beyond the family home. When Sonny notices the pendant she is wearing, he identifies it as belonging to his uncle Law, and Brianna confirms that her mother gave it to her. Its visibility makes private mourning legible to others: the pendant can prompt recognition and conversation, carrying Law’s memory into Brianna’s relationships rather than leaving it contained in the box.
That connection turns painful when Brianna tells Aunt Pooh that the chain was taken. Scrap explains that the Crowns had wanted it since they killed Law. Brianna’s grief is now bound to the fact that an object associated with her father has become a trophy sought by the group responsible for his death. Her clenched jaw and cracking voice convey how difficult it is to report the loss; she had not wanted to give up the chain, but the person who took it had a gun. The incident reopens the original bereavement through a new, immediate threat.
Violence, Memory, and Fear
Brianna’s sense of danger is also shaped by a separate encounter at school. Long restrains her while Tate removes her backpack, and Brianna’s thoughts fix on the fact that Long is not a police officer and has no gun. Even so, she fears ending up like the boy who was shot. The scene shows how Law’s death informs her response to present danger: the prospect of violence is not abstract, and she cannot treat a threat as harmless simply because it comes from someone who is not an officer.
The public meaning of Brianna’s song adds another pressure. A television report presents excerpts from “On the Come Up” as violent lyrics associated with a hit among young listeners. Later, Hype challenges her over lines he interprets as suggesting violence against police. Brianna rejects that interpretation and points out that her father rapped about such subjects at sixteen without provoking the same reaction. Her comparison connects Law’s memory to the different scrutiny she faces as a sixteen-year-old girl: listeners treat her performance as evidence of danger, while her father’s earlier work is framed differently. The song does not erase her grief, but it places her voice and her father’s past in a public argument about who is allowed to speak about violence and how that speech is judged.
The Chain’s Loss and the Prospect of Retaliation
After Brianna tells Aunt Pooh that the chain was taken, the prospect of retaliation changes the emotional stakes. At first, Brianna admits to herself that she wanted the person responsible dead. But the thought does not remain a simple wish for punishment. She imagines what his death might mean to a wife, a son, or a daughter who would lose a father, and how the neighborhood might memorialize him as a hero while leaving those who knew him with more complicated pain. Those imagined consequences make her confront the human cost that can be hidden by public stories of violence and honor.
Brianna also imagines what would happen to Aunt Pooh. In the version of events she fears, Aunt Pooh would be shown in a mug shot and called a ruthless murderer, while the photographs of her with Brianna and Jay’s hard-won GED would go unseen. Brianna believes she might be left as the only person mourning the aunt who had helped her. Whether Aunt Pooh is killed or becomes responsible for someone else’s death, Brianna sees herself losing her. The chain’s theft thus threatens to turn grief for Law into a new family bereavement.
Narrative Significance
The scene in Brianna’s bedroom gives that fear its most concentrated form. She shuts the door, lowers herself into a corner, and struggles to breathe as she cries. Her thoughts return to her father: she has already experienced what it means to lose him, and she cannot separate Aunt Pooh’s possible retaliation from the prospect of another death. The narrative links the chain, the words spoken about what should happen next, and Brianna’s physical distress without treating grief as something settled in the past.
Brianna also recalls the idea that sleep is close to death and worries that six words she said may have summoned it. The phrase registers her fear that speech itself might have consequences, while the repeated image of losing someone again makes the original bereavement feel active rather than concluded. Law’s death persists through what the family keeps, what Trey rejects, what the Crowns want, and what Brianna dreads will happen to Aunt Pooh. Her grief is unresolved not because she lacks memories of her father, but because memory remains entangled with violence that continues to threaten the people still around her.