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Bhima Kills Dushasana

The God of Small Things

Bhima Kills Dushasana is the climactic episode of a Kathakali performance in which Bhima fulfills his vow to avenge Draupadi. Watched by Estha and Rahel in the early morning, the scene turns a legendary act of revenge into a troubling mirror of violence in their own lives: to the twins, the performance is not merely theatrical, but a recurrence of a frenzy they have already encountered.

The vow and its cause

Dushasana had tried to publicly disrobe Draupadi after the Kauravas won her in a game of dice. Draupadi swore that she would not tie up her hair until it had been washed in Dushasana’s blood, and Bhima vowed to avenge her honor. The performance makes that promise the cause and purpose of the encounter, presenting revenge as the fulfillment of an oath rather than an isolated fight.

The performance and its climax

The action unfolds within a Kathakali performance at the temple. In the early morning light, Estha and Rahel watch Bhima knock Dushasana down and continue attacking until he is dead. He then tears open the body, drinks its blood, and goes to find Draupadi so that he can bathe her hair in it. The scene carries the vow through to its completion, but its excess makes the fulfillment unsettling rather than simply triumphant.

The twins as witnesses

The performance unsettles the boundary between story and lived experience for Estha and Rahel. They recognize the madness in Bhima’s actions because they have seen its work before, in another morning and on another kind of stage. The comparison links the legendary violence to a real frenzy that the twins have witnessed without equating the two events: the performance gives them a story through which to recognize a pattern, while leaving them trapped in a story that is and is not theirs.

History performed as violence

The episode acquires its force from the gap between the ordered form of a familiar story and the violence enacted within it. Estha and Rahel’s experience of the performance is described as a demonstration of humanity’s pursuit of ascendancy, structure, order, and monopoly—history appearing in live performance. Bhima’s revenge can therefore be read both as the completion of Draupadi’s vow and as an image of violence that persists under claims of order or purpose. The scene offers no simple release: its legendary setting makes the twins’ recognition possible, but does not free them from what they have seen.