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Rézi

The Second Sex

Rézi is the object of Claudine’s desire in Simone de Beauvoir’s discussion of women’s same-sex relationships. Through Claudine’s continued longing for Rézi while in love with Renaud, Rézi helps expose the inadequacy of treating lesbian desire as a fixed rejection of femininity or as a simple alternative to heterosexual life.

Identity and Introduction

Rézi appears here as one member of a couple of women, Claudine and Rézi, whose relationship is viewed with amusement by Renaud. The book invokes that reaction to contrast the tolerance often extended to women’s same-sex intimacy with the hostility directed at gay men, whose desire is seen as challenging the expectation that men must occupy the dominant subject position.

Desire and Its Contradictions

Claudine’s attachment to Renaud does not extinguish her desire for Rézi: she still covets Rézi’s charms and wants to take and caress her. Rézi therefore figures in an account of desire that cannot be neatly divided into exclusive heterosexuality and homosexuality. A woman may love a man and still experience active desire for another woman; aggressiveness and the wish to possess do not belong naturally to men, even when society labels them masculine.

This example also complicates the idea that women’s same-sex relationships are necessarily a refusal of femininity. Simone de Beauvoir argues that such relationships can express an assumption of femininity, and that women may move among different positions in relation to one another. Rézi’s place in Claudine’s desire makes the relationship more than a temporary opposite to heterosexual love: it shows how same-sex attraction can persist alongside it.

Narrative and Thematic Significance

Rézi is characterized through her place in Claudine’s desire rather than through a separately narrated history or a direct account of her own perspective. That limited presentation serves the chapter’s broader analytical purpose: the relationship illustrates how social expectations can obscure the variety of women’s erotic lives, including desires that appear in the form of passionate friendship or are suppressed as improper.

The example resists assigning women in same-sex couples to definitive masculine and feminine roles. Simone de Beauvoir describes women’s relationships as capable of reciprocity and shifting arrangements; the apparent division between active and passive partners does not establish an enduring identity. Rézi’s significance lies in the way Claudine’s attraction to her makes that complexity visible.