Water sprites
The Second SexWater sprites are figures in the countryside and in men’s imaginings of woman as nature. The book places them among beings associated with woods, lakes, seas, and moors, then returns to them as a symbol of the pull toward solitude and immanence that its account of gendered myth opposes to public action and a future-oriented project.
Place in the Imagined Landscape
Water sprites appear alongside nymphs, dryads, mermaids, and fairies in a catalogue of supernatural presences haunting natural settings. This company links woman, in the masculine imagination described by the text, to landscapes and elemental forces rather than to a merely human social role. The water sprite’s association with pools makes that idea specific: the figure belongs to a natural world imagined as alluring, separate, and resistant to the organized world of men.
The Water Sprite as a Figure of Attraction
The text later invokes the water sprite as one of several figures whose appeal draws a man away from ordinary obligations. Like the mermaid and Circe, she belongs to a mythic pattern in which attraction redirects attention from civic belonging, sustained projects, and the future toward a private, immediate experience. The figures are not presented as independent characters in a plotted encounter; they serve as images through which the text describes a masculine fear that desire may interrupt duty and continuity.
Gender, Nature, and Immanence
Water sprites help crystallize the larger contrast between transcendence, associated with projects extending into community and time, and immanence, associated here with enclosure in the present and separation from collective life. The book stresses that the association between woman and the elements is not reducible to sexual sublimation: it is described as an affinity imagined to be as primal as sexuality itself. The water sprite thus participates in a cultural myth that makes woman a mediator of nature and a counterforce to masculine public ambition. The emphasis falls on the men who construct and inhabit this image, not on evidence about water sprites as autonomous beings.